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How should poetry look? The printer'...

University of Minnesota., English.

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How should poetry look? The printer's measure and poet's line.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	How should poetry look? The printer's measure and poet's line./
作者:	Jacobson, Jean Alice.
面頁冊數:	347 p.
附註:	Adviser: Michael Hancher.
Contained By:	Dissertation Abstracts International69-09A.
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3324409
ISBN:	9780549753223

How should poetry look? The printer's measure and poet's line.
Jacobson, Jean Alice.

How should poetry look? The printer's measure and poet's line. - 347 p.

Adviser: Michael Hancher.

Thesis (Ph.D.)--University of Minnesota, 2008.

I inventory printers' rules of thumb and consider their application to the first page of four iconic publications in English: Shakespeare's Sonnets, Gray's Stanzas Wrote in a Country Church-Yard, Whitman's Leaves of Grass, and Eliot's The Waste Land. To establish the history of the layout and page design for English and American poetry from the Early Modern period to the Modern period, I indentify and discuss assumptions about poetry on the page that readers have lived with for four hundred years. Contrasting examples from contemporary poems are also considered. Comparisons for analysis are presented through a matrix of attributes which includes type face, graphic elements, spacing, indentation, page size, and pagination. Printing manuals and histories of printing make some rules explicit. Additional evidence is culled from the record of printing practice at presses, as well as the testimony of poets, printers, editors, and publishers. This account of the shape that poetry took in print leads to a consideration of possible shapes that it may take in the future after print.

ISBN: 9780549753223Subjects--Topical Terms:

1024640
Design and Decorative Arts.

How should poetry look? The printer's measure and poet's line.
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502 $a Thesis (Ph.D.)--University of Minnesota, 2008.
520 $a I inventory printers' rules of thumb and consider their application to the first page of four iconic publications in English: Shakespeare's Sonnets, Gray's Stanzas Wrote in a Country Church-Yard, Whitman's Leaves of Grass, and Eliot's The Waste Land. To establish the history of the layout and page design for English and American poetry from the Early Modern period to the Modern period, I indentify and discuss assumptions about poetry on the page that readers have lived with for four hundred years. Contrasting examples from contemporary poems are also considered. Comparisons for analysis are presented through a matrix of attributes which includes type face, graphic elements, spacing, indentation, page size, and pagination. Printing manuals and histories of printing make some rules explicit. Additional evidence is culled from the record of printing practice at presses, as well as the testimony of poets, printers, editors, and publishers. This account of the shape that poetry took in print leads to a consideration of possible shapes that it may take in the future after print.
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