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Imagining Roman-ness: A study of the...

The University of North Carolina at Chapel Hill.

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Imagining Roman-ness: A study of the theater reliefs at Sabratha .

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Imagining Roman-ness: A study of the theater reliefs at Sabratha ./
作者:	Raabe, Ashleigh W.
面頁冊數:	118 p.
附註:	Adviser: Mary C. Sturgeon.
Contained By:	Masters Abstracts International45-04.
標題:	Architecture. -
電子資源:	http://0-pqdd.sinica.edu.tw.lib1.npue.edu.tw/twdaoapp/servlet/advanced?query=1442306

Imagining Roman-ness: A study of the theater reliefs at Sabratha .
Raabe, Ashleigh W.

Imagining Roman-ness: A study of the theater reliefs at Sabratha . - 118 p.

Adviser: Mary C. Sturgeon.

Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2007.

Meticulously restored by Italian archaeologists in the 1930s, the Roman theater at Sabratha in Libya is today one of the most impressive Roman monuments in North Africa. The Sabratha theater is distinctive for its sculptured pulpitum, which is decorated with a variety of mythological, historical, and genre scenes. This paper examines the sculptural decoration of the theater within the historical and social context of the development of Sabratha, examining both the style and content of the program of decoration. The application of 'Romanization' in Sabratha will be examined in view of the sculptural decoration as material evidence of the presence and effects of Empire on the provincial city. The Sabratha reliefs and the theater building originally functioned in part to form the face of Sabratha as a 'Roman' city.Subjects--Topical Terms:

523581
Architecture.

Imagining Roman-ness: A study of the theater reliefs at Sabratha .
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520 $a Meticulously restored by Italian archaeologists in the 1930s, the Roman theater at Sabratha in Libya is today one of the most impressive Roman monuments in North Africa. The Sabratha theater is distinctive for its sculptured pulpitum, which is decorated with a variety of mythological, historical, and genre scenes. This paper examines the sculptural decoration of the theater within the historical and social context of the development of Sabratha, examining both the style and content of the program of decoration. The application of 'Romanization' in Sabratha will be examined in view of the sculptural decoration as material evidence of the presence and effects of Empire on the provincial city. The Sabratha reliefs and the theater building originally functioned in part to form the face of Sabratha as a 'Roman' city.
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