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Inventing 'Gothic': Notre-Dame d'Eta...

University of California, Santa Barbara., Art History.

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Inventing 'Gothic': Notre-Dame d'Etampes and the impact of design process on architectural change in the Ile-de-France, 1120--1150.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Inventing 'Gothic': Notre-Dame d'Etampes and the impact of design process on architectural change in the Ile-de-France, 1120--1150./
作者:	Thompson, Sarah Elizabeth.
面頁冊數:	576 p.
附註:	Adviser: C. Edson Armi.
Contained By:	Dissertation Abstracts International70-03A.
標題:	Architecture. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3350364
ISBN:	9781109081831

Inventing 'Gothic': Notre-Dame d'Etampes and the impact of design process on architectural change in the Ile-de-France, 1120--1150.
Thompson, Sarah Elizabeth.

Inventing 'Gothic': Notre-Dame d'Etampes and the impact of design process on architectural change in the Ile-de-France, 1120--1150. - 576 p.

Adviser: C. Edson Armi.

Thesis (Ph.D.)--University of California, Santa Barbara, 2009.

The advent of Gothic in the twelfth-century Ile-de-France has long prompted fundamental questions about the definition and origins of the style. Historically, a model based on methods borrowed from the biological sciences described the change from Romanesque to Gothic as a natural phenomenon or an evolutionary process. While criticized, these concepts linger in contemporary scholarship, which underemphasizes the role of human agency in creating these structures. The complex pattern of architectural change within the Paris basin can be better understood through an examination of the active choices of builders.

ISBN: 9781109081831Subjects--Topical Terms:

523581
Architecture.

Inventing 'Gothic': Notre-Dame d'Etampes and the impact of design process on architectural change in the Ile-de-France, 1120--1150.
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520 $a The advent of Gothic in the twelfth-century Ile-de-France has long prompted fundamental questions about the definition and origins of the style. Historically, a model based on methods borrowed from the biological sciences described the change from Romanesque to Gothic as a natural phenomenon or an evolutionary process. While criticized, these concepts linger in contemporary scholarship, which underemphasizes the role of human agency in creating these structures. The complex pattern of architectural change within the Paris basin can be better understood through an examination of the active choices of builders.
520 $a The royal foundation of Notre-Dame d'Etampes, a church largely rebuilt in a series of differing campaigns during the first half of the twelfth century, serves as a primary example for a process-based examination of architectural change. An exacting study of the fabric of Notre-Dame demonstrates that each distinct campaign documents a series of deliberate decisions about the coordination and articulation of structural form by its creators. My analysis emphasizes the ways in which physical processes of planning and construction produced formal and structural innovations. Set in context through comparative studies of related contemporary buildings, my work on Etampes illustrates the lack of a "Gothic system": the interest in integrating structure and articulation found at Etampes results in multiple solutions, both at Etampes and elsewhere. The changes associated with Gothic were not adopted as a standardized set of components, nor did they evolve in a single direction, but instead relied on the requirements and conditions of each site.
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