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The drama of fallen France = reading...
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The drama of fallen France = reading la com歋die sans tickets /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The drama of fallen France/ Kenneth Krauss.
Reminder of title:
reading la com歋die sans tickets /
Author:
Krauss, Kenneth,
Published:
Albany :State University of New York Press, : c2004.,
Description:
xxii, 257 p. :ill. ;24 cm.
[NT 15003449]:
A queer premiere: Jean Cocteau's The Typewriter -- Collabo Beefcake and resistant reception: ambiguity in Andr歋 Obey's Eight Hundred Meters and The Suppliant Women -- French Identity: the intended audience for Jean Giraudoux's The Apollo of Marsac -- The limits of opportunism: Simone Jollivet's The Princess of Ursins -- The politics of intention: Jean Anouilh's Antigone via Oreste -- The politics of reception: Jean-Paul Sartre's The Flies -- A politics of sexuality: Henry de Montherlant's Nobody's Son -- The politics of impersonation: Casting and recasting Paul Claudel's The Satin Slipper -- Catching The Last M呈tro: Francois Truffaut's Portrayal of Occupation Drama and Sexuality.
Subject:
French drama - History and criticism. - 20th century -
Subject:
France - History - German occupation, 1940-1945. -
Online resource:
http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=127086An electronic book accessible through the World Wide Web; click for information
ISBN:
1417575999 (electronic bk.)
The drama of fallen France = reading la com歋die sans tickets /
Krauss, Kenneth,1948-
The drama of fallen France
reading la com歋die sans tickets /[electronic resource] :Kenneth Krauss. - Albany :State University of New York Press,c2004. - xxii, 257 p. :ill. ;24 cm.
Includes bibliographical references (p. 235-248) and index.
A queer premiere: Jean Cocteau's The Typewriter -- Collabo Beefcake and resistant reception: ambiguity in Andr歋 Obey's Eight Hundred Meters and The Suppliant Women -- French Identity: the intended audience for Jean Giraudoux's The Apollo of Marsac -- The limits of opportunism: Simone Jollivet's The Princess of Ursins -- The politics of intention: Jean Anouilh's Antigone via Oreste -- The politics of reception: Jean-Paul Sartre's The Flies -- A politics of sexuality: Henry de Montherlant's Nobody's Son -- The politics of impersonation: Casting and recasting Paul Claudel's The Satin Slipper -- Catching The Last M呈tro: Francois Truffaut's Portrayal of Occupation Drama and Sexuality.
Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2005.
Available via World Wide Web.
ISBN: 1417575999 (electronic bk.)Subjects--Topical Terms:
764027
French drama
--History and criticism.--20th centurySubjects--Geographical Terms:
609371
France
--History--German occupation, 1940-1945.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PQ558 / .K73 2004eb
Dewey Class. No.: 842/.91209358
The drama of fallen France = reading la com歋die sans tickets /
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reading la com歋die sans tickets /
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Kenneth Krauss.
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Includes bibliographical references (p. 235-248) and index.
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A queer premiere: Jean Cocteau's The Typewriter -- Collabo Beefcake and resistant reception: ambiguity in Andr歋 Obey's Eight Hundred Meters and The Suppliant Women -- French Identity: the intended audience for Jean Giraudoux's The Apollo of Marsac -- The limits of opportunism: Simone Jollivet's The Princess of Ursins -- The politics of intention: Jean Anouilh's Antigone via Oreste -- The politics of reception: Jean-Paul Sartre's The Flies -- A politics of sexuality: Henry de Montherlant's Nobody's Son -- The politics of impersonation: Casting and recasting Paul Claudel's The Satin Slipper -- Catching The Last M呈tro: Francois Truffaut's Portrayal of Occupation Drama and Sexuality.
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AMF
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W9039231
電子資源
11.線上閱覽_V
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