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Closely watched films = an introduct...

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Closely watched films = an introduction to the art of narrative film technique /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Closely watched films/ Marilyn Fabe.
其他題名:	an introduction to the art of narrative film technique /
作者:	Fabe, Marilyn.
出版者:	Berkeley :University of California Press, : c2004.,
面頁冊數:	xviii, 267 p. :ill. ;24 cm.
內容註:	The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Fran簙ois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.
標題:	Motion pictures - Aesthetics. -
電子資源:	http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=119332An electronic book accessible through the World Wide Web; click for information
ISBN:	1417545100 (electronic bk.)

Closely watched films = an introduction to the art of narrative film technique /
Fabe, Marilyn.

Closely watched filmsan introduction to the art of narrative film technique /[electronic resource] :Marilyn Fabe. - Berkeley :University of California Press,c2004. - xviii, 267 p. :ill. ;24 cm.

Includes bibliographical references (p. 267-272) and index.

The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Fran簙ois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.

Electronic reproduction.
Boulder, Colo. :
NetLibrary,
2004.

Available via World Wide Web.

ISBN: 1417545100 (electronic bk.)Subjects--Topical Terms:

627458
Motion pictures
--Aesthetics.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.E9 / F17 2004eb

Dewey Class. No.: 791.43/015

Closely watched films = an introduction to the art of narrative film technique /
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505 0 $a The beginnings of film narrative: D.W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F.W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl Friday -- Expressive realism: Orson Welles's Citizen Kane -- Italian neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Fran簙ois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The European art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Epilogue: digital video and new forms of narrative in Mike Figgis's Timecode.
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