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Singing in style : = a guide to voca...

Elliott, Martha.

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Singing in style : = a guide to vocal performance practices /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Singing in style :/ Martha Elliott.
Reminder of title:	a guide to vocal performance practices /
Author:	Elliott, Martha.
Published:	New Haven :Yale University Press, : c2007.,
Description:	xii, 356 p. :ill. ;25 cm.
[NT 15003449]:	Introduction -- 1. The early Baroque ; Baroque notation ; Scores and editions ; Thoroughbass ; Accompaniment instruments ; Pitch ; Vibrato ; Words and music ; Historical pronunciation ; Italy ; Voice types and registers ; Ornamentation ; England ; Voice types and ranges ; Ornamentation ; France ; Voice types and ranges ; Dance forms ; Notes in嶲ales ; Ornamentation ; Diction -- 2. The late Baroque ; Scores and notation ; Modern editions ; Tempo ; Articulation ; Rhythmic alteration ; Legato ; Vibrato and breath ; Pitch ; Period instruments ; Recitative ; Italian influence ; Ornamenting arias ; Handel's Messiah ; Germany ; Ornamentation ; J.S. Bach and his singers ; France ; Secular cantatas ; Ornamentation -- 3. The Classical era ; Scores and editions ; Classical instruments ; Articulation and legato ; Tempo and rhythm ; Voice types and ranges ; Mozart on singers ; Vibrato and portamento ; Recitative ; Ornamentation -- 4. Italian bel canto ; Scores and editions ; Articulation and phrasing ; Tempo, rhythmic flexibility, and rubato ; Voice types ; Technique ; Vibrato ; Portamento ; Ornamentation ; Cadenzas and improvised florid embellishment -- 5. German Lieder ; Editions ; Transpositions ; German diction and technique ; Articulation and expression marks ; Embellishment ; Notated ornaments ; Vibrato and portamento ; The Piano ; Tempo and rhythm -- 6. French m幨odies ; editions, transpositions, and voice types ; French taste and aesthetics ; Ornamentation ; The Performer's new role ; Words and music ; Diction and articulation ; Portamento and vibrato ; Rhythm and tempo -- 7. Second Viennese School ; Publications and editions ; Performance and analysis ; The Society for Private Musical Performance ; Music and text ; Pierrot Lunaire ; Sprechstimme in other works ; Dynamics and articulation ; Tempo and rubato ; Learning this music -- 8. Early twentieth-century nationalism ; Russia ; Musorgsky and Olenina ; Rimsky-Korsakov, Rachmaninov, and Chaliapin ; Prokofiev ; Shostakovich ; Editions and language ; Spain ; Falla ; Rodrigo ; Editions ; England ; Britten and Pears ; Editions ; United States ; Ives ; Copland ; Barber ; Editions -- 9. Working with living composers ; Voice types ; Manuscripts, revisions, and published scores ; Notation ; Special vocal effects ; Other special instructions or requirements ; Learning difficult rhythms and pitches ; Vibrato ; Text and music ; Composers as performers ; Using recordings ; Conclusions: Finding the composers' intentions.
Subject:	Singing - Interpretation (Phrasing, dynamics, etc.). -
Online resource:	http://www.loc.gov/catdir/toc/ecip0510/2005009701.htmlhttp://www.loc.gov/catdir/toc/ecip0510/2005009701.html
Online resource:	http://www.loc.gov/catdir/enhancements/fy0664/2005009701-b.htmlhttp://www.loc.gov/catdir/enhancements/fy0664/2005009701-b.html
Online resource:	http://www.loc.gov/catdir/enhancements/fy0664/2005009701-d.htmlhttp://www.loc.gov/catdir/enhancements/fy0664/2005009701-d.html
ISBN:	9780300109320$b(hbk.):

Singing in style : = a guide to vocal performance practices /
Elliott, Martha.

Singing in style :a guide to vocal performance practices /Martha Elliott. - New Haven :Yale University Press,c2007. - xii, 356 p. :ill. ;25 cm.

Includes bibliographical references (p. 307-346) and index.

Introduction -- 1. The early Baroque ; Baroque notation ; Scores and editions ; Thoroughbass ; Accompaniment instruments ; Pitch ; Vibrato ; Words and music ; Historical pronunciation ; Italy ; Voice types and registers ; Ornamentation ; England ; Voice types and ranges ; Ornamentation ; France ; Voice types and ranges ; Dance forms ; Notes in嶲ales ; Ornamentation ; Diction -- 2. The late Baroque ; Scores and notation ; Modern editions ; Tempo ; Articulation ; Rhythmic alteration ; Legato ; Vibrato and breath ; Pitch ; Period instruments ; Recitative ; Italian influence ; Ornamenting arias ; Handel's Messiah ; Germany ; Ornamentation ; J.S. Bach and his singers ; France ; Secular cantatas ; Ornamentation -- 3. The Classical era ; Scores and editions ; Classical instruments ; Articulation and legato ; Tempo and rhythm ; Voice types and ranges ; Mozart on singers ; Vibrato and portamento ; Recitative ; Ornamentation -- 4. Italian bel canto ; Scores and editions ; Articulation and phrasing ; Tempo, rhythmic flexibility, and rubato ; Voice types ; Technique ; Vibrato ; Portamento ; Ornamentation ; Cadenzas and improvised florid embellishment -- 5. German Lieder ; Editions ; Transpositions ; German diction and technique ; Articulation and expression marks ; Embellishment ; Notated ornaments ; Vibrato and portamento ; The Piano ; Tempo and rhythm -- 6. French m幨odies ; editions, transpositions, and voice types ; French taste and aesthetics ; Ornamentation ; The Performer's new role ; Words and music ; Diction and articulation ; Portamento and vibrato ; Rhythm and tempo -- 7. Second Viennese School ; Publications and editions ; Performance and analysis ; The Society for Private Musical Performance ; Music and text ; Pierrot Lunaire ; Sprechstimme in other works ; Dynamics and articulation ; Tempo and rubato ; Learning this music -- 8. Early twentieth-century nationalism ; Russia ; Musorgsky and Olenina ; Rimsky-Korsakov, Rachmaninov, and Chaliapin ; Prokofiev ; Shostakovich ; Editions and language ; Spain ; Falla ; Rodrigo ; Editions ; England ; Britten and Pears ; Editions ; United States ; Ives ; Copland ; Barber ; Editions -- 9. Working with living composers ; Voice types ; Manuscripts, revisions, and published scores ; Notation ; Special vocal effects ; Other special instructions or requirements ; Learning difficult rhythms and pitches ; Vibrato ; Text and music ; Composers as performers ; Using recordings ; Conclusions: Finding the composers' intentions.

ISBN: 9780300109320$b(hbk.):NT$1246

LCCN: 2005009701

Nat. Bib. No.: GBA598310bnbSubjects--Topical Terms:

617444
Singing
--Interpretation (Phrasing, dynamics, etc.).

LC Class. No.: MT892 / .E45 2007

Dewey Class. No.: 783/.043/09

Singing in style : = a guide to vocal performance practices /
LDR:03635pam _2200229 a_450 001 624575
008 080331s2007 ncua b 001 0 eng
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020 $a 9780300109320$b(hbk.): $c NT$1246
020 $a 0300109326
035 $a 00424210
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050 0 0 $a MT892 $b .E45 2007
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100 $a Elliott, Martha. $3 617443
245 1 0 $a Singing in style : $b a guide to vocal performance practices / $c Martha Elliott.
260 $a New Haven : $c c2007. $b Yale University Press,
300 $a xii, 356 p. : $b ill. ; $c 25 cm.
504 $a Includes bibliographical references (p. 307-346) and index.
505 0 $a Introduction -- 1. The early Baroque ; Baroque notation ; Scores and editions ; Thoroughbass ; Accompaniment instruments ; Pitch ; Vibrato ; Words and music ; Historical pronunciation ; Italy ; Voice types and registers ; Ornamentation ; England ; Voice types and ranges ; Ornamentation ; France ; Voice types and ranges ; Dance forms ; Notes in嶲ales ; Ornamentation ; Diction -- 2. The late Baroque ; Scores and notation ; Modern editions ; Tempo ; Articulation ; Rhythmic alteration ; Legato ; Vibrato and breath ; Pitch ; Period instruments ; Recitative ; Italian influence ; Ornamenting arias ; Handel's Messiah ; Germany ; Ornamentation ; J.S. Bach and his singers ; France ; Secular cantatas ; Ornamentation -- 3. The Classical era ; Scores and editions ; Classical instruments ; Articulation and legato ; Tempo and rhythm ; Voice types and ranges ; Mozart on singers ; Vibrato and portamento ; Recitative ; Ornamentation -- 4. Italian bel canto ; Scores and editions ; Articulation and phrasing ; Tempo, rhythmic flexibility, and rubato ; Voice types ; Technique ; Vibrato ; Portamento ; Ornamentation ; Cadenzas and improvised florid embellishment -- 5. German Lieder ; Editions ; Transpositions ; German diction and technique ; Articulation and expression marks ; Embellishment ; Notated ornaments ; Vibrato and portamento ; The Piano ; Tempo and rhythm -- 6. French m幨odies ; editions, transpositions, and voice types ; French taste and aesthetics ; Ornamentation ; The Performer's new role ; Words and music ; Diction and articulation ; Portamento and vibrato ; Rhythm and tempo -- 7. Second Viennese School ; Publications and editions ; Performance and analysis ; The Society for Private Musical Performance ; Music and text ; Pierrot Lunaire ; Sprechstimme in other works ; Dynamics and articulation ; Tempo and rubato ; Learning this music -- 8. Early twentieth-century nationalism ; Russia ; Musorgsky and Olenina ; Rimsky-Korsakov, Rachmaninov, and Chaliapin ; Prokofiev ; Shostakovich ; Editions and language ; Spain ; Falla ; Rodrigo ; Editions ; England ; Britten and Pears ; Editions ; United States ; Ives ; Copland ; Barber ; Editions -- 9. Working with living composers ; Voice types ; Manuscripts, revisions, and published scores ; Notation ; Special vocal effects ; Other special instructions or requirements ; Learning difficult rhythms and pitches ; Vibrato ; Text and music ; Composers as performers ; Using recordings ; Conclusions: Finding the composers' intentions.
650 $a Singing $x Interpretation (Phrasing, dynamics, etc.). $3 617444
650 $a Performance practice (Music). $3 617445
650 $a Vocal music $x History and criticism. $3 617271
856 4 1 $3 Table of contents $u http://www.loc.gov/catdir/toc/ecip0510/2005009701.html $z http://www.loc.gov/catdir/toc/ecip0510/2005009701.html
856 4 2 $3 Contributor biographical information $u http://www.loc.gov/catdir/enhancements/fy0664/2005009701-b.html $z http://www.loc.gov/catdir/enhancements/fy0664/2005009701-b.html
856 4 2 $3 Publisher description $u http://www.loc.gov/catdir/enhancements/fy0664/2005009701-d.html $z http://www.loc.gov/catdir/enhancements/fy0664/2005009701-d.html