東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Physics and mathematics in musical c...

Tsuji, Kinko.

FindBook

Google Book

Amazon

博客來

Physics and mathematics in musical composition = a comparative study /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Physics and mathematics in musical composition/ by Kinko Tsuji, Stefan C. Müller.
其他題名:	a comparative study /
作者:	Tsuji, Kinko.
其他作者:	Müller, S. C.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	xvii, 276 p. :ill. (chiefly color), digital ;24 cm.
內容註:	Part 1.How is Music Born? -- Chapter 1.Introduction -- Chapter 2.Intervals, Scales, Tuning and Harmonics -- Chapter 3.Acoustic Basis and Generation of Sound -- Chapter 4.Complexity and Dynamics in Phase Space -- Part 2.Journey across the World -- Chapter 5.Physical and Mathematical Aspects in European Music -- Chapter 6.Music in Other Cultures -- Part 3.Moving beyond -- Chapter 7.Why Do we Know that it is Mozart? -- Chapter 8.Ending without End.
Contained By:	Springer Nature eBook
標題:	Music - Acoustics and physics. -
電子資源:	https://doi.org/10.1007/978-3-031-80732-9
ISBN:	9783031807329

Physics and mathematics in musical composition = a comparative study /
Tsuji, Kinko.

Physics and mathematics in musical compositiona comparative study /[electronic resource] :by Kinko Tsuji, Stefan C. Müller. - Cham :Springer Nature Switzerland :2025. - xvii, 276 p. :ill. (chiefly color), digital ;24 cm.

Part 1.How is Music Born? -- Chapter 1.Introduction -- Chapter 2.Intervals, Scales, Tuning and Harmonics -- Chapter 3.Acoustic Basis and Generation of Sound -- Chapter 4.Complexity and Dynamics in Phase Space -- Part 2.Journey across the World -- Chapter 5.Physical and Mathematical Aspects in European Music -- Chapter 6.Music in Other Cultures -- Part 3.Moving beyond -- Chapter 7.Why Do we Know that it is Mozart? -- Chapter 8.Ending without End.

How is music born? Is music made by humans or does it already exist and wait to be found? How do composers create (or ﬁnd) music? Having these questions in mind the authors ask more questions: How can we share our feelings with other people when listening to music? Can these be visualized? Why did Helmholtz have a problem with the third? Why is precise tuning so important in European music and less so in other cultures? What are the differences among the continents? What makes dissonant tone intervals uncomfortable in many cases? What enables us to distinguish the music of Mozart from that of Beethoven? Why are we fascinated by birdsong? Why does some music survive, whereas other just disappears? And finally, along which lines will music develop in the future? Drawing upon physics and mathematics, the authors search for answers to these questions and attempt to unravel in some depth the enigmas of how our minds are affected by the perception of music.

ISBN: 9783031807329

Standard No.: 10.1007/978-3-031-80732-9doiSubjects--Topical Terms:

542522
Music
--Acoustics and physics.

LC Class. No.: ML3805

Dewey Class. No.: 781.1

Physics and mathematics in musical composition = a comparative study /
LDR:02537nmm a2200361 a 4500 001 2413624
003 DE-He213
005 20250703130256.0
006 m d
007 cr nn 008maaau
008 260205s2025 sz s 0 eng d
020 $a 9783031807329 $q (electronic bk.)
020 $a 9783031807312 $q (paper)
024 7 $a 10.1007/978-3-031-80732-9 $2 doi
035 $a 978-3-031-80732-9
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3805
072 7 $a PBW $2 bicssc
072 7 $a AVA $2 bicssc
072 7 $a MAT003000 $2 bisacsh
072 7 $a PBW $2 thema
072 7 $a AVA $2 thema
082 0 4 $a 781.1 $2 23
090 $a ML3805 $b .T882 2025
100 1 $a Tsuji, Kinko. $3 3295924
245 1 0 $a Physics and mathematics in musical composition $h [electronic resource] : $b a comparative study / $c by Kinko Tsuji, Stefan C. Müller.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Springer, $c 2025.
300 $a xvii, 276 p. : $b ill. (chiefly color), digital ; $c 24 cm.
338 $a online resource $b cr $2 rdacarrier
505 0 $a Part 1.How is Music Born? -- Chapter 1.Introduction -- Chapter 2.Intervals, Scales, Tuning and Harmonics -- Chapter 3.Acoustic Basis and Generation of Sound -- Chapter 4.Complexity and Dynamics in Phase Space -- Part 2.Journey across the World -- Chapter 5.Physical and Mathematical Aspects in European Music -- Chapter 6.Music in Other Cultures -- Part 3.Moving beyond -- Chapter 7.Why Do we Know that it is Mozart? -- Chapter 8.Ending without End.
520 $a How is music born? Is music made by humans or does it already exist and wait to be found? How do composers create (or ﬁnd) music? Having these questions in mind the authors ask more questions: How can we share our feelings with other people when listening to music? Can these be visualized? Why did Helmholtz have a problem with the third? Why is precise tuning so important in European music and less so in other cultures? What are the differences among the continents? What makes dissonant tone intervals uncomfortable in many cases? What enables us to distinguish the music of Mozart from that of Beethoven? Why are we fascinated by birdsong? Why does some music survive, whereas other just disappears? And finally, along which lines will music develop in the future? Drawing upon physics and mathematics, the authors search for answers to these questions and attempt to unravel in some depth the enigmas of how our minds are affected by the perception of music.
650 0 $a Music $x Acoustics and physics. $3 542522
650 0 $a Music $x Mathematics. $3 2179507
650 0 $a Composition (Music) $3 547156
650 1 4 $a Mathematics in Music. $3 1619562
650 2 4 $a Acoustics. $3 879105
650 2 4 $a Theory of Music. $3 3603280
700 1 $a Müller, S. C. $3 3789839
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-80732-9
950 $a Mathematics and Statistics (SpringerNature-11649)