東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

A critical phenomenology of music = ...

Elliott, Rachel.

FindBook

Google Book

Amazon

博客來

A critical phenomenology of music = disclosing/transposing the habitual body schema /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A critical phenomenology of music/ by Rachel Elliott.
其他題名:	disclosing/transposing the habitual body schema /
作者:	Elliott, Rachel.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	x, 248 p. :ill., digital ;24 cm.
內容註:	Chapter 1. Introduction -- Chapter 2. Musical Epistemology -- Chapter 3. Listening (Vignette) -- Chapter 4. The Body in the Phenomenology of Perception -- Chapter 5. Singing (Vignette) -- Chapter 6. Music and the Situated Body Schema -- Chapter 7. Dancing (Vignette) -- Chpater 8. The Role of Others in Musical Experience -- Chapter 9. Per forming (Vignette) -- Chapter 10. Transforming the Habit Body Through Music -- Chapter 11. Playing (Vignette) -- Chapter 12. Conclusion.
Contained By:	Springer Nature eBook
標題:	Music - Philosophy and aesthetics. -
電子資源:	https://doi.org/10.1007/978-3-031-92111-7
ISBN:	9783031921117

A critical phenomenology of music = disclosing/transposing the habitual body schema /
Elliott, Rachel.

A critical phenomenology of musicdisclosing/transposing the habitual body schema /[electronic resource] :by Rachel Elliott. - Cham :Springer Nature Switzerland :2025. - x, 248 p. :ill., digital ;24 cm.

Chapter 1. Introduction -- Chapter 2. Musical Epistemology -- Chapter 3. Listening (Vignette) -- Chapter 4. The Body in the Phenomenology of Perception -- Chapter 5. Singing (Vignette) -- Chapter 6. Music and the Situated Body Schema -- Chapter 7. Dancing (Vignette) -- Chpater 8. The Role of Others in Musical Experience -- Chapter 9. Per forming (Vignette) -- Chapter 10. Transforming the Habit Body Through Music -- Chapter 11. Playing (Vignette) -- Chapter 12. Conclusion.

"From a musician's perspective, Rachel Elliott provides brilliant phenomenological descriptions of the ways listening to and playing music shape the habitual body and the body schema. In so doing she shows how the interplay of bodies and worlds through musical engagement is a creative endeavor that has social and political implications." -Helen A. Fielding, Professor, Philosophy/Gender, Sexuality and Women's Studies, Western University, Canada "This fascinating book explores mysteries at the edge of consciousness and our body through a phenomenology of music. Merleau-Ponty's concept of the body schema emerges as central to music. Music in turn illuminates this vital concept. At stake are transformative possibilities for meaning making." -Cynthia Willett, Samuel Candler Dobbs Professor of Philosophy, Emory University, author of Interspecies Ethics (2014) "A Critical Phenomenology of Music makes an important contribution to the burgeoning fields of critical phenomenology and embodied music cognition. Elliott's rich analysis of often-hidden connections between music, the lived body, power, and identity develops a novel framework for understanding how musical experiences shape our bodily engagement with the world. A vital read for those interested in the transformative power of music." -Joel Krueger, Associate Professor of Philosophy, University of Exeter, UK Drawing a link between music and what Maurice Merleau-Ponty calls the habit body - a quasi-transcendental structure at the heart of our perceptual, social, and agential being - this book helps articulate why music has the power to express as well as shape our existence at a fundamental level. Using phenomenology, research in the cognitive sciences, and first-person descriptions of musical experiences, this book addresses topics such as the relationship of music to identity, the capacity of music to be personally and socially transformative, the role of music in our perception of others, the connection between music and trauma, and the possibility of engendering we-experiences through shared musical time. Rachel Elliott is a Doctoral Lecturer in Philosophy at CUNY, College of Staten Island, in New York City. This is her first book.

ISBN: 9783031921117

Standard No.: 10.1007/978-3-031-92111-7doiSubjects--Topical Terms:

525611
Music
--Philosophy and aesthetics.

LC Class. No.: ML3800

Dewey Class. No.: 781.17

A critical phenomenology of music = disclosing/transposing the habitual body schema /
LDR:03694nmm a2200325 a 4500 001 2412610
003 DE-He213
005 20250715124744.0
006 m d
007 cr nn 008maaau
008 260204s2025 sz s 0 eng d
020 $a 9783031921117 $q (electronic bk.)
020 $a 9783031921100 $q (paper)
024 7 $a 10.1007/978-3-031-92111-7 $2 doi
035 $a 978-3-031-92111-7
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3800
072 7 $a HPCF3 $2 bicssc
072 7 $a PHI018000 $2 bisacsh
072 7 $a QDHR5 $2 thema
082 0 4 $a 781.17 $2 23
090 $a ML3800 $b .E46 2025
100 1 $a Elliott, Rachel. $3 3788088
245 1 2 $a A critical phenomenology of music $h [electronic resource] : $b disclosing/transposing the habitual body schema / $c by Rachel Elliott.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a x, 248 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1. Introduction -- Chapter 2. Musical Epistemology -- Chapter 3. Listening (Vignette) -- Chapter 4. The Body in the Phenomenology of Perception -- Chapter 5. Singing (Vignette) -- Chapter 6. Music and the Situated Body Schema -- Chapter 7. Dancing (Vignette) -- Chpater 8. The Role of Others in Musical Experience -- Chapter 9. Per forming (Vignette) -- Chapter 10. Transforming the Habit Body Through Music -- Chapter 11. Playing (Vignette) -- Chapter 12. Conclusion.
520 $a "From a musician's perspective, Rachel Elliott provides brilliant phenomenological descriptions of the ways listening to and playing music shape the habitual body and the body schema. In so doing she shows how the interplay of bodies and worlds through musical engagement is a creative endeavor that has social and political implications." -Helen A. Fielding, Professor, Philosophy/Gender, Sexuality and Women's Studies, Western University, Canada "This fascinating book explores mysteries at the edge of consciousness and our body through a phenomenology of music. Merleau-Ponty's concept of the body schema emerges as central to music. Music in turn illuminates this vital concept. At stake are transformative possibilities for meaning making." -Cynthia Willett, Samuel Candler Dobbs Professor of Philosophy, Emory University, author of Interspecies Ethics (2014) "A Critical Phenomenology of Music makes an important contribution to the burgeoning fields of critical phenomenology and embodied music cognition. Elliott's rich analysis of often-hidden connections between music, the lived body, power, and identity develops a novel framework for understanding how musical experiences shape our bodily engagement with the world. A vital read for those interested in the transformative power of music." -Joel Krueger, Associate Professor of Philosophy, University of Exeter, UK Drawing a link between music and what Maurice Merleau-Ponty calls the habit body - a quasi-transcendental structure at the heart of our perceptual, social, and agential being - this book helps articulate why music has the power to express as well as shape our existence at a fundamental level. Using phenomenology, research in the cognitive sciences, and first-person descriptions of musical experiences, this book addresses topics such as the relationship of music to identity, the capacity of music to be personally and socially transformative, the role of music in our perception of others, the connection between music and trauma, and the possibility of engendering we-experiences through shared musical time. Rachel Elliott is a Doctoral Lecturer in Philosophy at CUNY, College of Staten Island, in New York City. This is her first book.
650 0 $a Music $x Philosophy and aesthetics. $3 525611
650 0 $a Phenomenology and music. $3 1985374
650 1 4 $a Phenomenology. $3 533816
650 2 4 $a Continental Philosophy. $3 3220042
650 2 4 $a Philosophy of Music. $3 3270549
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-92111-7
950 $a Religion and Philosophy (SpringerNature-41175)