語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Cinematically rendering confucius = ...
~
Fleming, David H.
FindBook
Google Book
Amazon
博客來
Cinematically rendering confucius = Chinese film philosophy and the efficacious screen-play /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Cinematically rendering confucius/ by David H. Fleming.
其他題名:
Chinese film philosophy and the efficacious screen-play /
作者:
Fleming, David H.
出版者:
Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:
xiii, 264 p. :ill., digital ;24 cm.
內容註:
Chapter 1: Propagandizing China's Master 'Philosopher': Kǒng Fūzǐ (1940) and Kǒngzǐ (2010) -- Chapter 2: A Sage on the Global Stage: Or, the Chinese Kant Philosophise? -- Chapter 3: On Confucian Mediality and Ren-dering xiang-thought -- Chapter 4: "Our Confucius": Fei's Artful Aspirational Screen-Play -- Chapter 5: The "Second Coming" of Confucius: Or, Hu's Hu in Huallywood -- Chapter 6: End Game: Confucius a Go Go -- Afterword: On Xi Jinping and the Synthetic Spectres of Marx and Confucius.
Contained By:
Springer Nature eBook
標題:
Motion pictures - China. -
電子資源:
https://doi.org/10.1007/978-3-031-79066-9
ISBN:
9783031790669
Cinematically rendering confucius = Chinese film philosophy and the efficacious screen-play /
Fleming, David H.
Cinematically rendering confucius
Chinese film philosophy and the efficacious screen-play /[electronic resource] :by David H. Fleming. - Cham :Springer Nature Switzerland :2025. - xiii, 264 p. :ill., digital ;24 cm.
Chapter 1: Propagandizing China's Master 'Philosopher': Kǒng Fūzǐ (1940) and Kǒngzǐ (2010) -- Chapter 2: A Sage on the Global Stage: Or, the Chinese Kant Philosophise? -- Chapter 3: On Confucian Mediality and Ren-dering xiang-thought -- Chapter 4: "Our Confucius": Fei's Artful Aspirational Screen-Play -- Chapter 5: The "Second Coming" of Confucius: Or, Hu's Hu in Huallywood -- Chapter 6: End Game: Confucius a Go Go -- Afterword: On Xi Jinping and the Synthetic Spectres of Marx and Confucius.
Cinematically Rendering Confucius marks the first book-length enquiry into China's first two big screen treatments of arguably the best-known and most influential thinker in world history: Confucius. By interweaving methods drawn from Film Studies, Comparative Philosophy, and Media Archaeology in response to broader calls to deepen and thicken the scope and purview of film philosophical enquiry, this trailblazing book grounds Fei Mu's 1940 patriotic art film Kǒng Fūzǐ and Hu Mei's 2010 "Huallywood" blockbuster Kǒngzǐ as pre- and postsocialist examples of Chinese politico-philosophical filmmaking that straddle the PRC's revolutionary Marxist socio-political experiment. After exploring the geopolitics surrounding why Confucius has been historically included and excluded from the European classification of "philosopher" and addressing the difficulties that entering into "Chinese Thought" presents to non-natives, the book's first half undertakes a deep dive into the history of (re)mediating the Confucian image-imagination. Arguing that Confucius might be a form of film philosopher avant la lettre, we thereafter explore repetitions and differences surrounding the ever-changing treatment and representation of Confucius on-screen-concluding with a look at the latest AI-infused theory-film When Marx Met Confucius (2023). David H. Fleming is a Senior Lecturer in Film & Media at the University of Stirling. He is series editor of the Screens, Thinking, Worlds book series and author of The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia (with William Brown 2020), Chinese Urban Shi-nema: Cinematicity, Society and Millennial China (with Simon Harrison, 2020), and Unbecoming Cinema: Unsettling Encounters with Ethical Event Films (2017). Forthcoming he has monographs entitled Infinite Ontologies of the Chthulustream (with William Brown) and Global Philosophers on Film: Conceptualising Aesthetics. David also increasingly researches using the video-essay form and has several practical film-philosophy works forthcoming, including his gonzo Hiber-nation: The Green Ray from Under the Skin with [In]Transition.
ISBN: 9783031790669
Standard No.: 10.1007/978-3-031-79066-9doiSubjects--Personal Names:
3785379
Confucius
--In motion pictures.Subjects--Topical Terms:
612496
Motion pictures
--China.
LC Class. No.: PN1995.9.P42
Dewey Class. No.: 791.4370951
Cinematically rendering confucius = Chinese film philosophy and the efficacious screen-play /
LDR
:03715nmm a2200325 a 4500
001
2411085
003
DE-He213
005
20250224115250.0
006
m d
007
cr nn 008maaau
008
260204s2025 sz s 0 eng d
020
$a
9783031790669
$q
(electronic bk.)
020
$a
9783031790652
$q
(paper)
024
7
$a
10.1007/978-3-031-79066-9
$2
doi
035
$a
978-3-031-79066-9
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN1995.9.P42
072
7
$a
APFA
$2
bicssc
072
7
$a
PHI001000
$2
bisacsh
072
7
$a
ATFA
$2
thema
082
0 4
$a
791.4370951
$2
23
090
$a
PN1995.9.P42
$b
F597 2025
100
1
$a
Fleming, David H.
$3
3528064
245
1 0
$a
Cinematically rendering confucius
$h
[electronic resource] :
$b
Chinese film philosophy and the efficacious screen-play /
$c
by David H. Fleming.
260
$a
Cham :
$b
Springer Nature Switzerland :
$b
Imprint: Palgrave Macmillan,
$c
2025.
300
$a
xiii, 264 p. :
$b
ill., digital ;
$c
24 cm.
505
0
$a
Chapter 1: Propagandizing China's Master 'Philosopher': Kǒng Fūzǐ (1940) and Kǒngzǐ (2010) -- Chapter 2: A Sage on the Global Stage: Or, the Chinese Kant Philosophise? -- Chapter 3: On Confucian Mediality and Ren-dering xiang-thought -- Chapter 4: "Our Confucius": Fei's Artful Aspirational Screen-Play -- Chapter 5: The "Second Coming" of Confucius: Or, Hu's Hu in Huallywood -- Chapter 6: End Game: Confucius a Go Go -- Afterword: On Xi Jinping and the Synthetic Spectres of Marx and Confucius.
520
$a
Cinematically Rendering Confucius marks the first book-length enquiry into China's first two big screen treatments of arguably the best-known and most influential thinker in world history: Confucius. By interweaving methods drawn from Film Studies, Comparative Philosophy, and Media Archaeology in response to broader calls to deepen and thicken the scope and purview of film philosophical enquiry, this trailblazing book grounds Fei Mu's 1940 patriotic art film Kǒng Fūzǐ and Hu Mei's 2010 "Huallywood" blockbuster Kǒngzǐ as pre- and postsocialist examples of Chinese politico-philosophical filmmaking that straddle the PRC's revolutionary Marxist socio-political experiment. After exploring the geopolitics surrounding why Confucius has been historically included and excluded from the European classification of "philosopher" and addressing the difficulties that entering into "Chinese Thought" presents to non-natives, the book's first half undertakes a deep dive into the history of (re)mediating the Confucian image-imagination. Arguing that Confucius might be a form of film philosopher avant la lettre, we thereafter explore repetitions and differences surrounding the ever-changing treatment and representation of Confucius on-screen-concluding with a look at the latest AI-infused theory-film When Marx Met Confucius (2023). David H. Fleming is a Senior Lecturer in Film & Media at the University of Stirling. He is series editor of the Screens, Thinking, Worlds book series and author of The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia (with William Brown 2020), Chinese Urban Shi-nema: Cinematicity, Society and Millennial China (with Simon Harrison, 2020), and Unbecoming Cinema: Unsettling Encounters with Ethical Event Films (2017). Forthcoming he has monographs entitled Infinite Ontologies of the Chthulustream (with William Brown) and Global Philosophers on Film: Conceptualising Aesthetics. David also increasingly researches using the video-essay form and has several practical film-philosophy works forthcoming, including his gonzo Hiber-nation: The Green Ray from Under the Skin with [In]Transition.
600
0 0
$a
Confucius
$x
In motion pictures.
$3
3785379
650
0
$a
Motion pictures
$z
China.
$3
612496
650
0
$a
Philosophy in motion pictures.
$3
776067
650
1 4
$a
Film Philosophy.
$3
3632231
650
2 4
$a
Asian Film and TV.
$3
3596359
650
2 4
$a
Film Theory.
$3
2191773
710
2
$a
SpringerLink (Online service)
$3
836513
773
0
$t
Springer Nature eBook
856
4 0
$u
https://doi.org/10.1007/978-3-031-79066-9
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9516583
電子資源
11.線上閱覽_V
電子書
EB PN1995.9.P42
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入