東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Breaking Chains, Forging Beauty: Red...

Herrick, Sydney Ellen.

Linked to FindBook

Google Book

Amazon

博客來

Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah./
Author:	Herrick, Sydney Ellen.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2024,
Description:	84 p.
Notes:	Source: Masters Abstracts International, Volume: 85-11.
Contained By:	Masters Abstracts International85-11.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31236289
ISBN:	9798382715964

Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.
Herrick, Sydney Ellen.

Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah. - Ann Arbor : ProQuest Dissertations & Theses, 2024 - 84 p.

Source: Masters Abstracts International, Volume: 85-11.

Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2024.

Within prevailing art historical discourse, contemporary African jewelry remains overlooked, primarily constructed as a craftwork supplementary to dress. In the specific context of Africa, broad perceptions of bodily adornment are often filtered through a Eurocentric lens, characterized by tendencies towards exoticization and fetishization. Consequently, contemporary African jewelry design remains largely unexplored in art historical scholarship and the broader domain of fashion design. Through an examination of works by Emefa Cole and Ami Doshi Shah, I demonstrate how their use of sticky materials, referential designs, and diverse display methods transcend such conventional categorizations. By positioning their art as fertile ground for exploring critical theoretical frameworks such as Afrofuturism, this thesis highlights a more extensive void in current art historical discourse and advocates for a renewed emphasis on jewelry as an autonomous art form capable of enriching broader understandings of art, culture, and individual expression.

ISBN: 9798382715964Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

African art

Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.
LDR:02253nmm a2200397 4500 001 2403141
005 20241104085622.5
006 m o d
007 cr#unu||||||||
008 251215s2024 ||||||||||||||||| ||eng d
020 $a 9798382715964
035 $a (MiAaPQ)AAI31236289
035 $a AAI31236289
040 $a MiAaPQ $c MiAaPQ
100 1 $a Herrick, Sydney Ellen. $3 3773405
245 1 0 $a Breaking Chains, Forging Beauty: Redefining African Jewelry Design Through the Work of Emefa Cole and Ami Doshi Shah.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2024
300 $a 84 p.
500 $a Source: Masters Abstracts International, Volume: 85-11.
500 $a Advisor: Rovine, Victoria.
502 $a Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2024.
520 $a Within prevailing art historical discourse, contemporary African jewelry remains overlooked, primarily constructed as a craftwork supplementary to dress. In the specific context of Africa, broad perceptions of bodily adornment are often filtered through a Eurocentric lens, characterized by tendencies towards exoticization and fetishization. Consequently, contemporary African jewelry design remains largely unexplored in art historical scholarship and the broader domain of fashion design. Through an examination of works by Emefa Cole and Ami Doshi Shah, I demonstrate how their use of sticky materials, referential designs, and diverse display methods transcend such conventional categorizations. By positioning their art as fertile ground for exploring critical theoretical frameworks such as Afrofuturism, this thesis highlights a more extensive void in current art historical discourse and advocates for a renewed emphasis on jewelry as an autonomous art form capable of enriching broader understandings of art, culture, and individual expression.
590 $a School code: 0153.
650 4 $a Art history. $3 2122701
650 4 $a African studies. $3 2122725
650 4 $a Art criticism. $3 526357
653 $a African art
653 $a Afrofuturism
653 $a Shah, Ami Doshi
653 $a Contemporary art
653 $a Cole, Emefa
653 $a Jewelry
690 $a 0377
690 $a 0293
690 $a 0365
710 2 $a The University of North Carolina at Chapel Hill. $b Art (Art History). $3 3284219
773 0 $t Masters Abstracts International $g 85-11.
790 $a 0153
791 $a M.A.
792 $a 2024
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31236289