東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Sounding Like Refugees: Intercultura...

Webster, Katelin N.

FindBook

Google Book

Amazon

博客來

Sounding Like Refugees: Intercultural Music-Making and Syrian Refugee Integration in Northern Germany.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sounding Like Refugees: Intercultural Music-Making and Syrian Refugee Integration in Northern Germany./
作者:	Webster, Katelin N.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:	276 p.
附註:	Source: Dissertations Abstracts International, Volume: 85-04, Section: A.
Contained By:	Dissertations Abstracts International85-04A.
標題:	Music. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30788337
ISBN:	9798380595964

Sounding Like Refugees: Intercultural Music-Making and Syrian Refugee Integration in Northern Germany.
Webster, Katelin N.

Sounding Like Refugees: Intercultural Music-Making and Syrian Refugee Integration in Northern Germany. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 276 p.

Source: Dissertations Abstracts International, Volume: 85-04, Section: A.

Thesis (Ph.D.)--The Ohio State University, 2023.

Following the large-scale migration of Syrian refugees to Europe in 2015, German music organizations and professional Syrian refugee musicians established intercultural music activities throughout the country. Ethnographic inquiry reveals that these activities develop under the pressure of a variety of social and political forces. Systemic racial inequities in Western Europe have shaped supranational and national intercultural policies, as well as the German public, to visually and sonically perceive Syrian refugees as non-European Others. Professional musicians Aeham Ahmad and the Syrian Expat Philharmonic Orchestra perform musics that defy generic classifications that categorize people by race or place of origin. Yet German media consistently ties these musicians' performances to their refugee status and relation to the "Orient." Within this network of intercultural activities, three amateur ensembles in Hamburg differ in choosing to be open to all refugees regardless of background, or exclude refugees based on Western perceptions of musical skill. This dissertation finds that integration through intercultural music-making in northern Germany is a process that Germans sometimes use to distinguish themselves from racialized refugees. Even so, Syrian professional musicians and amateur ensembles resist essentialized identities and model more equitable and compassionate ways to welcome refugees through intercultural music performance.

ISBN: 9798380595964Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Intercultural music

Sounding Like Refugees: Intercultural Music-Making and Syrian Refugee Integration in Northern Germany.
LDR:02774nmm a2200445 4500 001 2402587
005 20241029122333.5
006 m o d
007 cr#unu||||||||
008 251215s2023 ||||||||||||||||| ||eng d
020 $a 9798380595964
035 $a (MiAaPQ)AAI30788337
035 $a (MiAaPQ)OhioLINKosu1681936440526144
035 $a AAI30788337
035 $a 2402587
040 $a MiAaPQ $c MiAaPQ
100 1 $a Webster, Katelin N. $3 3772825
245 1 0 $a Sounding Like Refugees: Intercultural Music-Making and Syrian Refugee Integration in Northern Germany.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 276 p.
500 $a Source: Dissertations Abstracts International, Volume: 85-04, Section: A.
500 $a Advisor: Fosler-Lussier, Danielle.
502 $a Thesis (Ph.D.)--The Ohio State University, 2023.
520 $a Following the large-scale migration of Syrian refugees to Europe in 2015, German music organizations and professional Syrian refugee musicians established intercultural music activities throughout the country. Ethnographic inquiry reveals that these activities develop under the pressure of a variety of social and political forces. Systemic racial inequities in Western Europe have shaped supranational and national intercultural policies, as well as the German public, to visually and sonically perceive Syrian refugees as non-European Others. Professional musicians Aeham Ahmad and the Syrian Expat Philharmonic Orchestra perform musics that defy generic classifications that categorize people by race or place of origin. Yet German media consistently ties these musicians' performances to their refugee status and relation to the "Orient." Within this network of intercultural activities, three amateur ensembles in Hamburg differ in choosing to be open to all refugees regardless of background, or exclude refugees based on Western perceptions of musical skill. This dissertation finds that integration through intercultural music-making in northern Germany is a process that Germans sometimes use to distinguish themselves from racialized refugees. Even so, Syrian professional musicians and amateur ensembles resist essentialized identities and model more equitable and compassionate ways to welcome refugees through intercultural music performance.
590 $a School code: 0168.
650 4 $a Music. $3 516178
650 4 $a History. $3 516518
650 4 $a Middle Eastern studies. $3 3168421
650 4 $a Middle Eastern history. $3 3168386
650 4 $a European history. $2 bicssc $3 1972904
650 4 $a European studies. $3 3168420
653 $a Intercultural music
653 $a Western classical music
653 $a Community music
653 $a Genres
653 $a Germany
690 $a 0440
690 $a 0333
690 $a 0413
690 $a 0555
690 $a 0578
690 $a 0335
710 2 $a The Ohio State University. $b Music. $3 1672701
773 0 $t Dissertations Abstracts International $g 85-04A.
790 $a 0168
791 $a Ph.D.
792 $a 2023
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30788337