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Between Theory and Practice: America...

Nicolaides, Alexandra Ruth.

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Between Theory and Practice: American Color Photography, 1950-76.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Between Theory and Practice: American Color Photography, 1950-76./
Author:	Nicolaides, Alexandra Ruth.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	214 p.
Notes:	Source: Dissertations Abstracts International, Volume: 85-06, Section: A.
Contained By:	Dissertations Abstracts International85-06A.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30633740
ISBN:	9798381173086

Between Theory and Practice: American Color Photography, 1950-76.
Nicolaides, Alexandra Ruth.

Between Theory and Practice: American Color Photography, 1950-76. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 214 p.

Source: Dissertations Abstracts International, Volume: 85-06, Section: A.

Thesis (Ph.D.)--State University of New York at Stony Brook, 2023.

This dissertation studies mid-twentieth century American physicists, psychologists, and artists who used color photography as an instrument to form and share knowledge of color. I argue that color photography used open formed and iterative images to allow physicists, psychologists, and artists to communicate about color. Physicists Ralph Evans and Edwin Land studied color by projecting light through negatives, while psychologists James J. Gibson and Anton Ehrenzweig studied the results of their experiments and the influence of color on perception and imagination. Their experiments represented a seemingly emerging scientific theory of color perception. However, a group of artists who worked contemporaneously alongside the scientists, Edward Steichen, Jeannette Klute, Eliot Porter, Marie Cosindas, and William Eggleston resisted the emerging scientific theory by making color photographs based on acts of failed repetition. Their practice revealed the epistemic role color imagery played in the scientific theories and pushed against the theories in a way that allowed the artists to also offer new insights into color.

ISBN: 9798381173086Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Art and science

Between Theory and Practice: American Color Photography, 1950-76.
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500 $a Source: Dissertations Abstracts International, Volume: 85-06, Section: A.
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520 $a This dissertation studies mid-twentieth century American physicists, psychologists, and artists who used color photography as an instrument to form and share knowledge of color. I argue that color photography used open formed and iterative images to allow physicists, psychologists, and artists to communicate about color. Physicists Ralph Evans and Edwin Land studied color by projecting light through negatives, while psychologists James J. Gibson and Anton Ehrenzweig studied the results of their experiments and the influence of color on perception and imagination. Their experiments represented a seemingly emerging scientific theory of color perception. However, a group of artists who worked contemporaneously alongside the scientists, Edward Steichen, Jeannette Klute, Eliot Porter, Marie Cosindas, and William Eggleston resisted the emerging scientific theory by making color photographs based on acts of failed repetition. Their practice revealed the epistemic role color imagery played in the scientific theories and pushed against the theories in a way that allowed the artists to also offer new insights into color.
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650 4 $a American history. $3 2122692
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653 $a Color photography
653 $a Imagination
653 $a Material history
653 $a Memory
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