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Computer-Supported Music Improvisation.
~
Hopkins, Torin.
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Computer-Supported Music Improvisation.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Computer-Supported Music Improvisation./
作者:
Hopkins, Torin.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2024,
面頁冊數:
389 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
Contained By:
Dissertations Abstracts International85-11A.
標題:
Engineering. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31234813
ISBN:
9798382719894
Computer-Supported Music Improvisation.
Hopkins, Torin.
Computer-Supported Music Improvisation.
- Ann Arbor : ProQuest Dissertations & Theses, 2024 - 389 p.
Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
Thesis (Ph.D.)--University of Colorado at Boulder, 2024.
Music improvisation is an ancient practice that is deeply ingrained in human social interaction and expression. This dissertation presents a comprehensive framework for enhancing music improvisation through technology, integrating multidisciplinary research across engineering, psychology, and neuroscience.I propose a model (Sensing, Processing, Representing, Networking, or SPRNt) grounded in the perception-action loop-a well-established model of cognition-for guiding the design of computer-supported music improvisation systems. The research then explores four key areas where technology can enhance improvisational music activities: 1) expanding the community of musicians by understanding how we learn and use musical information, 2) enabling remote jamming using Extended Reality and networking, 3) facilitating jamming with computational systems using AI and interfacing with the brain, and 4) incorporating audience participation in live improvisational performances with the aforementioned technology.I then discuss contributions of the research with respect to the SPRNt model and propose directions for future work. By integrating multidisciplinary perspectives, this research contributes to the ongoing discourse at the intersection of music, technology, neuroscience, psychology, and social interaction, aiming for a more inclusive and socially meaningful approach to music education, performance, and play.
ISBN: 9798382719894Subjects--Topical Terms:
586835
Engineering.
Subjects--Index Terms:
Extended Reality
Computer-Supported Music Improvisation.
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Music improvisation is an ancient practice that is deeply ingrained in human social interaction and expression. This dissertation presents a comprehensive framework for enhancing music improvisation through technology, integrating multidisciplinary research across engineering, psychology, and neuroscience.I propose a model (Sensing, Processing, Representing, Networking, or SPRNt) grounded in the perception-action loop-a well-established model of cognition-for guiding the design of computer-supported music improvisation systems. The research then explores four key areas where technology can enhance improvisational music activities: 1) expanding the community of musicians by understanding how we learn and use musical information, 2) enabling remote jamming using Extended Reality and networking, 3) facilitating jamming with computational systems using AI and interfacing with the brain, and 4) incorporating audience participation in live improvisational performances with the aforementioned technology.I then discuss contributions of the research with respect to the SPRNt model and propose directions for future work. By integrating multidisciplinary perspectives, this research contributes to the ongoing discourse at the intersection of music, technology, neuroscience, psychology, and social interaction, aiming for a more inclusive and socially meaningful approach to music education, performance, and play.
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