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A Pedagogical Analysis of Zhao Zhang...
~
Chen, Dongmin.
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A Pedagogical Analysis of Zhao Zhang's Pi Huang: Representing Peking Opera on the Piano.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A Pedagogical Analysis of Zhao Zhang's Pi Huang: Representing Peking Opera on the Piano./
作者:
Chen, Dongmin.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:
109 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:
Dissertations Abstracts International85-02A.
標題:
Music. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30671557
ISBN:
9798380070041
A Pedagogical Analysis of Zhao Zhang's Pi Huang: Representing Peking Opera on the Piano.
Chen, Dongmin.
A Pedagogical Analysis of Zhao Zhang's Pi Huang: Representing Peking Opera on the Piano.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 109 p.
Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Thesis (D.M.A.)--University of North Texas, 2023.
.
In Chinese musical history, piano works have played an important role in modern times. The flourishing of the instrument and its music have in fact greatly developed Chinese modern music. Zhao Zhang's masterpiece Pi Huang, with its elements of Peking Opera, is one representative of the latest Chinese classic solo piano works. By coincidence, the introduction of the first Western keyboard instrument to China and the rise of Peking Opera came almost at the same time, during the Qing dynasty (1644-1911). Therefore, the incorporation of Peking Opera into Pi Huang is a reasonable and creative combination. This dissertation conducts a pedagogical analysis of Pi Huang, showing how it was influenced by elements of Peking Opera. The three main chapters discuss the background of Peking Opera, the biography of Zhao Zhang, and the musical background and performing issues of Pi Huang.
ISBN: 9798380070041Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Piano pedagogy
A Pedagogical Analysis of Zhao Zhang's Pi Huang: Representing Peking Opera on the Piano.
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In Chinese musical history, piano works have played an important role in modern times. The flourishing of the instrument and its music have in fact greatly developed Chinese modern music. Zhao Zhang's masterpiece Pi Huang, with its elements of Peking Opera, is one representative of the latest Chinese classic solo piano works. By coincidence, the introduction of the first Western keyboard instrument to China and the rise of Peking Opera came almost at the same time, during the Qing dynasty (1644-1911). Therefore, the incorporation of Peking Opera into Pi Huang is a reasonable and creative combination. This dissertation conducts a pedagogical analysis of Pi Huang, showing how it was influenced by elements of Peking Opera. The three main chapters discuss the background of Peking Opera, the biography of Zhao Zhang, and the musical background and performing issues of Pi Huang.
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