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Temporal Experience and the Music of...

Myler, Derek J.

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Temporal Experience and the Music of Charles Ives.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Temporal Experience and the Music of Charles Ives./
作者:	Myler, Derek J.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:	399 p.
附註:	Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:	Dissertations Abstracts International85-03A.
標題:	Music theory. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30530790
ISBN:	9798380317122

Temporal Experience and the Music of Charles Ives.
Myler, Derek J.

Temporal Experience and the Music of Charles Ives. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 399 p.

Source: Dissertations Abstracts International, Volume: 85-03, Section: A.

Thesis (Ph.D.)--University of Rochester, 2023.

This dissertation proceeds from the thesis that the music of Charles Ives (1874-1954) frequently complicates the way we reciprocally experience music in time and time through music. Under a guiding frame of multiple temporality, I explore how Ives invites us to participate in music listening through multiple types of temporality, multiple temporal scopes, and multiple kinds of temporal experiences. In this endeavor, I recruit a wide array of orientations and methodologies, from music theory to the philosophy of time, from cognitive-behavioral research to the phenomenology of experience and beyond.Chapter 1 proposes a theory of multiple temporality and situates it within the broader history of temporal thought. Chapter 2 uses Husserlian phenomenology and multistable perception as tools for understanding polytonal and polymetric experience in listening to Ives's superimpositions. Chapter 3 explores Ives's association of similar tunes through the lens of motivic overlap and phenomenological blend, using musical contour theory and Bergson's idea of qualitative multiplicity. Chapter 4 revisits ideas of superimposition and investigates the experience of hearing multiple juxtaposed temporal traces in Ives's superimposed phrases from the perspective of formal functionality. Chapter 5 then resumes the thread of motives and applies motivic experience to larger spans, using transformational theory, Schoenberg's idea of the Grundgestalt, and Peter Burkholder's cumulative form to examine the sensation of thematic emergence across full movements and works. Chapter 6 explores the function and signification of pedal point and ostinato in Ives's music, interpreting such devices as a musical topic for eternity or timelessness. Finally, Chapter 7 collects the ideas and methodologies of earlier chapters and applies them in an integrated analysis of the Finale of the Fourth Symphony. The final chapter thus attempts a synthesis of the tools and techniques I propose toward a more comprehensive understanding of temporal experience as it manifests while listening to Charles Ives.{A0}

ISBN: 9798380317122Subjects--Topical Terms:

547155
Music theory.
Subjects--Index Terms:

Music listening

Temporal Experience and the Music of Charles Ives.
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