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Queer Bodies in Eikoh Hosoe's Photo ...

Nagatsuma, Yuriko.

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Queer Bodies in Eikoh Hosoe's Photo Books: on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Queer Bodies in Eikoh Hosoe's Photo Books: on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya./
作者:	Nagatsuma, Yuriko.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:	234 p.
附註:	Source: Dissertations Abstracts International, Volume: 84-03, Section: B.
Contained By:	Dissertations Abstracts International84-03B.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29325131
ISBN:	9798351451572

Queer Bodies in Eikoh Hosoe's Photo Books: on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.
Nagatsuma, Yuriko.

Queer Bodies in Eikoh Hosoe's Photo Books: on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 234 p.

Source: Dissertations Abstracts International, Volume: 84-03, Section: B.

Thesis (Ph.D.)--State University of New York at Buffalo, 2022.

This dissertation investigates the politics manifested via the presentation of queer bodies in the Japanese photographer Eikoh Hosoe's three photobooks: Barakei (1963), Kamaitachi (1969), and Simmon: A Private Landscape (photographed in 1971 and published in 2012). I argue that Hosoe created these photobooks in order to demonstrate his resistance to Japan's heteronormative society, which was developing in accordance with post-war national prosperity in the 1960s. Through analyzing Hosoe's photographic images of Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya, I show how Hosoe uses specific strategies in order to create a new, potential conception of space and time through photography. I examine Hosoe's photographic images as well as the three artists' work as a means of explicating how Hosoe not only deconstructs the ordinary understanding of the human body in terms of gender and sexuality, but also develops his idea of time and space through depictions of queer bodies. While Hosoe states that he captured these performances in order to document his memories, he also offers the viewer another time and space beyond the boundaries of ordinary experience that constitute heteronormative society. Hosoe strategically disguises his opposition to post-war Japanese society by appearing to have created these three photobooks simply to represent his models in unique and unprecedented ways. In reality, through these photo books, Hosoe utilized Eros as a means of undermining the social norms that underpinned Japan's modernization in the 1960s.

ISBN: 9798351451572Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Hosoe, Eikoh

Queer Bodies in Eikoh Hosoe's Photo Books: on Collaborations with Yukio Mishima, Tatsumi Hijikata, and Shimon Yotsuya.
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