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The Role of Style in Community Ident...
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Perez, Daniel Melvin.
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The Role of Style in Community Identity and Group Affiliation: an Archaeological Study of Virgin and Kayenta Branch Ceramics.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Role of Style in Community Identity and Group Affiliation: an Archaeological Study of Virgin and Kayenta Branch Ceramics./
作者:
Perez, Daniel Melvin.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:
540 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:
Dissertations Abstracts International85-03A.
標題:
Archaeology. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30485195
ISBN:
9798380344050
The Role of Style in Community Identity and Group Affiliation: an Archaeological Study of Virgin and Kayenta Branch Ceramics.
Perez, Daniel Melvin.
The Role of Style in Community Identity and Group Affiliation: an Archaeological Study of Virgin and Kayenta Branch Ceramics.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 540 p.
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Thesis (Ph.D.)--University of Nevada, Las Vegas, 2023.
This item must not be sold to any third party vendors.
This research focuses on the Virgin Branch heartland of the North American Southwest, an archaeological area spanning southern Nevada, southwestern Utah, and northwestern Arizona. The interplay of Virgin Branch community identity, group affiliation, and social interaction over time, between ca. 300 B.C. and A.D. 1225, is considered intra-regionally and in the context of interactions with neighboring Kayenta Branch populations of northeastern Arizona. The principal question for this research is: How is Virgin Branch group identity communicated and reflected through expressions of technological and painted designs styles on pottery amidst intra- and inter-regional events and interactions over time? Support for this principal research question is provided through: (1) chronometric reconstruction of the Virgin Branch heartland and an understanding of how this correlates with the well-established chronometry of the Kayenta Branch heartland; and (2) clarifying the technological styles and rules of design (i.e., design layout, design symmetry, and design elements) associated with painted pottery from both heartlands. The theoretical framework for this study is informed through consideration of how the behavioral categories of exchange, enculturation, and migration, as dependent variables, can be used and expressed through painted design, technological, and functional aspects of painted pottery to investigate the independent variable of identity-namely, Virgin Branch group identity. Methodologically, this research uses a hierarchical system of ceramic analysis through which technological and painted design styles are investigated within a statistical framework of diversity and similarity indices, across temporal and spatial contexts. Using archaeological approaches to painted and technological ceramic design styles as proxies for expressions of Virgin Branch group identity, this study investigates the degree to which pottery style can reflect Virgin Branch group identity, in the context of social interactions both inter-regionally and among Kayenta Branch populations, over time.
ISBN: 9798380344050Subjects--Topical Terms:
558412
Archaeology.
Subjects--Index Terms:
Ceramics
The Role of Style in Community Identity and Group Affiliation: an Archaeological Study of Virgin and Kayenta Branch Ceramics.
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This research focuses on the Virgin Branch heartland of the North American Southwest, an archaeological area spanning southern Nevada, southwestern Utah, and northwestern Arizona. The interplay of Virgin Branch community identity, group affiliation, and social interaction over time, between ca. 300 B.C. and A.D. 1225, is considered intra-regionally and in the context of interactions with neighboring Kayenta Branch populations of northeastern Arizona. The principal question for this research is: How is Virgin Branch group identity communicated and reflected through expressions of technological and painted designs styles on pottery amidst intra- and inter-regional events and interactions over time? Support for this principal research question is provided through: (1) chronometric reconstruction of the Virgin Branch heartland and an understanding of how this correlates with the well-established chronometry of the Kayenta Branch heartland; and (2) clarifying the technological styles and rules of design (i.e., design layout, design symmetry, and design elements) associated with painted pottery from both heartlands. The theoretical framework for this study is informed through consideration of how the behavioral categories of exchange, enculturation, and migration, as dependent variables, can be used and expressed through painted design, technological, and functional aspects of painted pottery to investigate the independent variable of identity-namely, Virgin Branch group identity. Methodologically, this research uses a hierarchical system of ceramic analysis through which technological and painted design styles are investigated within a statistical framework of diversity and similarity indices, across temporal and spatial contexts. Using archaeological approaches to painted and technological ceramic design styles as proxies for expressions of Virgin Branch group identity, this study investigates the degree to which pottery style can reflect Virgin Branch group identity, in the context of social interactions both inter-regionally and among Kayenta Branch populations, over time.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30485195
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