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Race, Radio, and Records: A Historic...

Russell, Karen D.

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Race, Radio, and Records: A Historical Case Study of WLAC Nashville 1940 - 1970.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Race, Radio, and Records: A Historical Case Study of WLAC Nashville 1940 - 1970./
作者:	Russell, Karen D.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:	128 p.
附註:	Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:	Dissertations Abstracts International84-12A.
標題:	Communication. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30522161
ISBN:	9798379692759

Race, Radio, and Records: A Historical Case Study of WLAC Nashville 1940 - 1970.
Russell, Karen D.

Race, Radio, and Records: A Historical Case Study of WLAC Nashville 1940 - 1970. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 128 p.

Source: Dissertations Abstracts International, Volume: 84-12, Section: A.

Thesis (Ph.D.)--Regent University, 2023.

This item must not be sold to any third party vendors.

From the middle of the 1940s to the beginning of the 1970s, WLAC radio in Nashville, Tennessee, was well-known for its overnight rhythm-and-blues programming. Its three nighttime disc jockeys were White, but much of the listening audience thought they were Black. The station's 50,000 watts of power drew listeners from all over the country, but primarily from the South. This historical case study looks at the impact these White deejays at WLAC had on the understanding of race in the radio and record industry locally, regionally, nationally, and internationally, as well as their role in legitimizing R&B music. Through oral histories and archival artifacts, this study looks at the deejays' commercial use of racial ventriloquy to target the often-overlooked Black audience's disposable income, and the effects of that ventriloquy mechanism on live music programming during this period.

ISBN: 9798379692759Subjects--Topical Terms:

524709
Communication.
Subjects--Index Terms:

Disc jockey

Race, Radio, and Records: A Historical Case Study of WLAC Nashville 1940 - 1970.
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500 $a Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
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520 $a From the middle of the 1940s to the beginning of the 1970s, WLAC radio in Nashville, Tennessee, was well-known for its overnight rhythm-and-blues programming. Its three nighttime disc jockeys were White, but much of the listening audience thought they were Black. The station's 50,000 watts of power drew listeners from all over the country, but primarily from the South. This historical case study looks at the impact these White deejays at WLAC had on the understanding of race in the radio and record industry locally, regionally, nationally, and internationally, as well as their role in legitimizing R&B music. Through oral histories and archival artifacts, this study looks at the deejays' commercial use of racial ventriloquy to target the often-overlooked Black audience's disposable income, and the effects of that ventriloquy mechanism on live music programming during this period.
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653 $a R&B music
653 $a Racial ventriloquism
653 $a Radio
653 $a WLAC
653 $a Deejay
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710 2 $a Regent University. $b School of Communication & the Arts. $3 3179047
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