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Native American Visual Culture of th...
~
Pelletier, Steven.
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Native American Visual Culture of the Early Twentieth Century.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Native American Visual Culture of the Early Twentieth Century./
作者:
Pelletier, Steven.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:
308 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:
Dissertations Abstracts International85-03A.
標題:
American literature. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30748230
ISBN:
9798380374774
Native American Visual Culture of the Early Twentieth Century.
Pelletier, Steven.
Native American Visual Culture of the Early Twentieth Century.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 308 p.
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Thesis (Ph.D.)--University of Michigan, 2023.
This item must not be sold to any third party vendors.
This study analyzes the visual works from Black Elk Speaks, My People the Sioux, and the films Fatty and Minnie He-Haw and Mickey. All of these works were completed at the end of the Assimilation Era (1887-1934) when many Native Americans denounced the assimilationist policies. Some Native figures such as Charles Alexander Eastman, Zitkala Sa, and Carlos Montezuma worked in traditional academic and high society jobs to change the perception of the Indian, while others worked outside of traditional intellectual jobs, such as the entertainment industry, to accomplish the same goal. This study analyzes the contributions of Black Elk, Standing Bear, Minnie Devereaux and Luther Standing Bear in the aforementioned visual works to form a genealogy of Native American Visual Culture. I draw on Visual Culture efforts to confront structures of power that determine how history is represented and the politics of looking. More specifically, the concepts of visualization and countervisuality from the field of Visual Culture allows me to show that each work used visual representations in order to engage with American society's conceptualization of "the Indian." Rejecting simplistic binary of assimilationist or anti-assimilationist, each other aimed to present their audience with a different visual representation of what it means for them to be Indian. I begin tracking this genealogy of Native American Visual Culture as a way to show Native Americans at the forefront of Visual Technology in the 20th century.
ISBN: 9798380374774Subjects--Topical Terms:
523234
American literature.
Subjects--Index Terms:
Visual Culture
Native American Visual Culture of the Early Twentieth Century.
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This study analyzes the visual works from Black Elk Speaks, My People the Sioux, and the films Fatty and Minnie He-Haw and Mickey. All of these works were completed at the end of the Assimilation Era (1887-1934) when many Native Americans denounced the assimilationist policies. Some Native figures such as Charles Alexander Eastman, Zitkala Sa, and Carlos Montezuma worked in traditional academic and high society jobs to change the perception of the Indian, while others worked outside of traditional intellectual jobs, such as the entertainment industry, to accomplish the same goal. This study analyzes the contributions of Black Elk, Standing Bear, Minnie Devereaux and Luther Standing Bear in the aforementioned visual works to form a genealogy of Native American Visual Culture. I draw on Visual Culture efforts to confront structures of power that determine how history is represented and the politics of looking. More specifically, the concepts of visualization and countervisuality from the field of Visual Culture allows me to show that each work used visual representations in order to engage with American society's conceptualization of "the Indian." Rejecting simplistic binary of assimilationist or anti-assimilationist, each other aimed to present their audience with a different visual representation of what it means for them to be Indian. I begin tracking this genealogy of Native American Visual Culture as a way to show Native Americans at the forefront of Visual Technology in the 20th century.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30748230
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