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Race Shapes: Racial In/Visibility in...

Gamalinda, Sarah K.

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Race Shapes: Racial In/Visibility in Contemporary Francophone Literature and Cinema.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Race Shapes: Racial In/Visibility in Contemporary Francophone Literature and Cinema./
作者:	Gamalinda, Sarah K.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:	198 p.
附註:	Source: Dissertations Abstracts International, Volume: 84-02, Section: A.
Contained By:	Dissertations Abstracts International84-02A.
標題:	Literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29391128
ISBN:	9798841797265

Race Shapes: Racial In/Visibility in Contemporary Francophone Literature and Cinema.
Gamalinda, Sarah K.

Race Shapes: Racial In/Visibility in Contemporary Francophone Literature and Cinema. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 198 p.

Source: Dissertations Abstracts International, Volume: 84-02, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2022.

This item must not be sold to any third party vendors.

This dissertation asks how processes of racial formation shape and take shape in literature and film. Turning literary and film analysis towards apprehending the systematic workings of race subtending aesthetic and narrative forms, this project explores several analogies for how race is constructed and perceived. Across a selection of works by Ousmane Sembene, Virginie Despentes, and Marie NDiaye, race-particularly Blackness and whiteness-takes textual, visual, and aural shape against a backdrop of French universalism's racial erasure. These forms and racial analogies manifest as skins and surfaces, voices and sounds, material and cultural institutions, and physical and psychic sensations. Drawing on African diasporic and Transatlantic Black studies, this project reaches across seemingly disparate contexts, starting with early francophone African film, moving to twenty- first-century French post-punk popular literature, and closing with quintessentially French (and decidedly not-not-African) postmodernism. Each case study in this dissertation presents a different perspective on a coherent story of race in France, broken down into three stages of racial visibility: hypervisibility, invisibility, and spectrality. Sembene, Despentes, and NDiaye emerge here as race theorists, participating in the textual, aural, and visual act of race-making, whether intentional or not. Texts are also racialized by the bodies of authors, readers, and characters with whom they engage, and together they influence the coalescing of national corpuses as well as scholarly institutions and their critical practices. In addition to, and sometimes in absence of, historical and social understandings of how race and colonialism shape the present, these kinds of aesthetic- textual and textural-linkages can offer frameworks for apprehending the endurance of race and racism in French and francophone literature and film. These frameworks are critical for their attention to the spectral and can help us to attune our awareness to structures of race and racism that thrive in their elusions of easy perception. This project is motivated by the belief that greater attention to racial representation will better equip ourselves as readers, writers, and members of our communities to be able to do and teach anti-racism work.

ISBN: 9798841797265Subjects--Topical Terms:

537498
Literature.
Subjects--Index Terms:

Acousmatic

Race Shapes: Racial In/Visibility in Contemporary Francophone Literature and Cinema.
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