東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Spaces Between: A History of Ame...

Zobel, George Eric.

FindBook

Google Book

Amazon

博客來

The Spaces Between: A History of American Alternative Media and Performance.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Spaces Between: A History of American Alternative Media and Performance./
作者:	Zobel, George Eric.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:	286 p.
附註:	Source: Dissertations Abstracts International, Volume: 84-04, Section: A.
Contained By:	Dissertations Abstracts International84-04A.
標題:	Film studies. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29390171
ISBN:	9798351473864

The Spaces Between: A History of American Alternative Media and Performance.
Zobel, George Eric.

The Spaces Between: A History of American Alternative Media and Performance. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 286 p.

Source: Dissertations Abstracts International, Volume: 84-04, Section: A.

Thesis (Ph.D.)--Indiana University, 2022.

This item must not be sold to any third party vendors.

This dissertation shows that alternative theatre and film histories are interconnected and should be reevaluated along the cross-media collaborations of European and American political avant-garde traditions. By focusing on the film and theatre of playwright and director Richard Foreman, the intermedial work of the Wooster Group, and the theatre, film, and video work of director Peter Sellars, I demonstrate that the complexities and politics of how we construct histories of performance and media are enmeshed with the distinct cultural, social, and political work these artists engage in through theatre and film. Returning again and again to the avant-garde antecedents that have influenced their work, these artistic collaborations serve as models of the webs of meaning that support the poetics of what Hayden White described as the "historical imagination." History and memory serve as raw material for animating archival materials through intermedial experiments using new media technologies. Drawing together complex constellations of texts and meanings, I argue that these artists reflect the shifting boundaries of time and space through their work. Film becomes an extension of the theatrical aesthetic and past and present are juxtaposed in complex networks of meaning. This project expands on the processes of history-making to include the experimental mindset that drives avant-garde creation itself, and I argue that the radical impulses that have guided these alternative artists should be restored. Histories are worked and reworked, transfigured into new patterns that reveal the deeper meanings below the surface, in the spaces between the past, the present, and the future.

ISBN: 9798351473864Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Avant-garde theater

The Spaces Between: A History of American Alternative Media and Performance.
LDR:02941nmm a2200397 4500 001 2396023
005 20240603070932.5
006 m o d
007 cr#unu||||||||
008 251215s2022 ||||||||||||||||| ||eng d
020 $a 9798351473864
035 $a (MiAaPQ)AAI29390171
035 $a AAI29390171
040 $a MiAaPQ $c MiAaPQ
100 1 $a Zobel, George Eric. $0 (orcid)0000-0002-4435-9563 $3 3765546
245 1 0 $a The Spaces Between: A History of American Alternative Media and Performance.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2022
300 $a 286 p.
500 $a Source: Dissertations Abstracts International, Volume: 84-04, Section: A.
500 $a Includes supplementary digital materials.
500 $a Advisor: Hawkins, Joan.
502 $a Thesis (Ph.D.)--Indiana University, 2022.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation shows that alternative theatre and film histories are interconnected and should be reevaluated along the cross-media collaborations of European and American political avant-garde traditions. By focusing on the film and theatre of playwright and director Richard Foreman, the intermedial work of the Wooster Group, and the theatre, film, and video work of director Peter Sellars, I demonstrate that the complexities and politics of how we construct histories of performance and media are enmeshed with the distinct cultural, social, and political work these artists engage in through theatre and film. Returning again and again to the avant-garde antecedents that have influenced their work, these artistic collaborations serve as models of the webs of meaning that support the poetics of what Hayden White described as the "historical imagination." History and memory serve as raw material for animating archival materials through intermedial experiments using new media technologies. Drawing together complex constellations of texts and meanings, I argue that these artists reflect the shifting boundaries of time and space through their work. Film becomes an extension of the theatrical aesthetic and past and present are juxtaposed in complex networks of meaning. This project expands on the processes of history-making to include the experimental mindset that drives avant-garde creation itself, and I argue that the radical impulses that have guided these alternative artists should be restored. Histories are worked and reworked, transfigured into new patterns that reveal the deeper meanings below the surface, in the spaces between the past, the present, and the future.
590 $a School code: 0093.
650 4 $a Film studies. $3 2122736
650 4 $a Theater. $3 522973
650 4 $a American history. $3 2122692
653 $a Avant-garde theater
653 $a Experimental films
653 $a Film history
653 $a Performance studies
690 $a 0900
690 $a 0465
690 $a 0337
710 2 $a Indiana University. $b Communication and Culture. $3 1285430
773 0 $t Dissertations Abstracts International $g 84-04A.
790 $a 0093
791 $a Ph.D.
792 $a 2022
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29390171