語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Formal Functions in the Music of Arn...
~
Eason, Andrew C.
FindBook
Google Book
Amazon
博客來
Formal Functions in the Music of Arnold Schoenberg.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Formal Functions in the Music of Arnold Schoenberg./
作者:
Eason, Andrew C.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
242 p.
附註:
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Contained By:
Dissertations Abstracts International81-04A.
標題:
Music theory. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22623505
ISBN:
9781392507391
Formal Functions in the Music of Arnold Schoenberg.
Eason, Andrew C.
Formal Functions in the Music of Arnold Schoenberg.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 242 p.
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Thesis (Ph.D.)--University of Oregon, 2019.
This item must not be sold to any third party vendors.
Musical form has undergone a significant revival in the past twenty years, largely due to Caplin's Classical Form. However, most of this attention has focused on tonal forms in the Classical and Romantic eras. This project establishes a form-functional approach for analyzing the music of Arnold Schoenberg. Drawing on Schoenberg's own theoretical writings throughout his career, I show how his concept of form can be applied to without relying on the traditional harmonic signs. This project expands form-functional analysis into the 20th century while finding its roots in Schoenberg's thought. I begin by climbing up the formal hierarchy, beginning with smaller formal units and combining them into larger sections and movements. I do this by identifying prototypical functions in Schoenberg's tonal sextet Verklarte Nacht Op. 4 and the twelve-tone Suite for Piano Op. 25. From there, I show how themes can be combined into ternary movements and larger sonata forms using Op. 25 as well as the Klavierstuck Op. 33b. Chapter 6 examines the Third String Quartet Op. 30, which shows how Schoenberg expands the prototypical forms into much larger pieces. Chapter 7 demonstrates the analytical technique with the first two movements of Op. 11, showing how less typical forms still convey temporality and formal functions.
ISBN: 9781392507391Subjects--Topical Terms:
547155
Music theory.
Subjects--Index Terms:
energetics
Formal Functions in the Music of Arnold Schoenberg.
LDR
:02467nmm a2200385 4500
001
2395854
005
20240531084151.5
006
m o d
007
cr#unu||||||||
008
251215s2019 ||||||||||||||||| ||eng d
020
$a
9781392507391
035
$a
(MiAaPQ)AAI22623505
035
$a
AAI22623505
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Eason, Andrew C.
$0
(orcid)0000-0002-8559-4308
$3
3765359
245
1 0
$a
Formal Functions in the Music of Arnold Schoenberg.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2019
300
$a
242 p.
500
$a
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
500
$a
Advisor: Boss, Jack F.
502
$a
Thesis (Ph.D.)--University of Oregon, 2019.
506
$a
This item must not be sold to any third party vendors.
520
$a
Musical form has undergone a significant revival in the past twenty years, largely due to Caplin's Classical Form. However, most of this attention has focused on tonal forms in the Classical and Romantic eras. This project establishes a form-functional approach for analyzing the music of Arnold Schoenberg. Drawing on Schoenberg's own theoretical writings throughout his career, I show how his concept of form can be applied to without relying on the traditional harmonic signs. This project expands form-functional analysis into the 20th century while finding its roots in Schoenberg's thought. I begin by climbing up the formal hierarchy, beginning with smaller formal units and combining them into larger sections and movements. I do this by identifying prototypical functions in Schoenberg's tonal sextet Verklarte Nacht Op. 4 and the twelve-tone Suite for Piano Op. 25. From there, I show how themes can be combined into ternary movements and larger sonata forms using Op. 25 as well as the Klavierstuck Op. 33b. Chapter 6 examines the Third String Quartet Op. 30, which shows how Schoenberg expands the prototypical forms into much larger pieces. Chapter 7 demonstrates the analytical technique with the first two movements of Op. 11, showing how less typical forms still convey temporality and formal functions.
590
$a
School code: 0171.
650
4
$a
Music theory.
$3
547155
653
$a
energetics
653
$a
form
653
$a
formal functions
653
$a
post-tonal
653
$a
Schoenberg
653
$a
twelve-tone
690
$a
0221
710
2
$a
University of Oregon.
$b
School of Music and Dance.
$3
2105210
773
0
$t
Dissertations Abstracts International
$g
81-04A.
790
$a
0171
791
$a
Ph.D.
792
$a
2019
793
$a
English
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22623505
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9504174
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入