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Psychodynamics of Orality in Digital...

Gilman-Hernandez, Byron.

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Psychodynamics of Orality in Digital Media.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Psychodynamics of Orality in Digital Media./
Author:	Gilman-Hernandez, Byron.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	237 p.
Notes:	Source: Dissertations Abstracts International, Volume: 84-11, Section: B.
Contained By:	Dissertations Abstracts International84-11B.
Subject:	Information technology. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30313403
ISBN:	9798379540456

Psychodynamics of Orality in Digital Media.
Gilman-Hernandez, Byron.

Psychodynamics of Orality in Digital Media. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 237 p.

Source: Dissertations Abstracts International, Volume: 84-11, Section: B.

Thesis (Ph.D.)--Saint Louis University, 2023.

This item must not be sold to any third party vendors.

Perceptions of digital media frequently imagine that digital formats, as a progression from print and manuscript, are hardier or otherwise more resistant to the ravages of time. This, however, is an illusion that any number of dead links, images, or lost media online can attest to. Sustaining media in digital formats relies not on the inherent hardiness of the technology, but the communal efforts of preservation-much like the process Walter Ong saw in Oral cultures. Taking Ong's theories of psychodynamics, this dissertation observes how the non-trivial labor of preservation shapes the cultural norms and demands in digital media and how these communal practices shape the practitioners in turn.

ISBN: 9798379540456Subjects--Topical Terms:

532993
Information technology.
Subjects--Index Terms:

Digital media

Psychodynamics of Orality in Digital Media.
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500 $a Advisor: Rivers, Nathaniel.
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506 $a This item must not be sold to any third party vendors.
520 $a Perceptions of digital media frequently imagine that digital formats, as a progression from print and manuscript, are hardier or otherwise more resistant to the ravages of time. This, however, is an illusion that any number of dead links, images, or lost media online can attest to. Sustaining media in digital formats relies not on the inherent hardiness of the technology, but the communal efforts of preservation-much like the process Walter Ong saw in Oral cultures. Taking Ong's theories of psychodynamics, this dissertation observes how the non-trivial labor of preservation shapes the cultural norms and demands in digital media and how these communal practices shape the practitioners in turn.
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