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Glitching Games Studies.
~
Ravenbrook, Cassandra V.
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Glitching Games Studies.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Glitching Games Studies./
Author:
Ravenbrook, Cassandra V.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:
84 p.
Notes:
Source: Masters Abstracts International, Volume: 85-02.
Contained By:
Masters Abstracts International85-02.
Subject:
Philosophy. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30528149
ISBN:
9798380075268
Glitching Games Studies.
Ravenbrook, Cassandra V.
Glitching Games Studies.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 84 p.
Source: Masters Abstracts International, Volume: 85-02.
Thesis (M.S.)--University of California, Santa Cruz, 2023.
This item must not be sold to any third party vendors.
Glitch in video games has been studied as an intentional aesthetic element and as an unintentional breakage that produced new narrative possibilities. Glitch art theory has examined interaction with glitch as phenomenological, but the examination of glitch as a systemic aesthetic in video games has gone under-explored. This thesis proposes that the defining power of glitch, in both cases, arises from the ways it makes the otherwise invisible protocols of computing visible in both domains and finds that both glitch art production and transformative modes of videogame play-such as speedrunning and narrative reparative play-have the capacity to make this glitch materiality productive.
ISBN: 9798380075268Subjects--Topical Terms:
516511
Philosophy.
Subjects--Index Terms:
Emergent storytelling
Glitching Games Studies.
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84 p.
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Source: Masters Abstracts International, Volume: 85-02.
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Advisor: Altice, Nathan.
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Thesis (M.S.)--University of California, Santa Cruz, 2023.
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Glitch in video games has been studied as an intentional aesthetic element and as an unintentional breakage that produced new narrative possibilities. Glitch art theory has examined interaction with glitch as phenomenological, but the examination of glitch as a systemic aesthetic in video games has gone under-explored. This thesis proposes that the defining power of glitch, in both cases, arises from the ways it makes the otherwise invisible protocols of computing visible in both domains and finds that both glitch art production and transformative modes of videogame play-such as speedrunning and narrative reparative play-have the capacity to make this glitch materiality productive.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30528149
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