東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Analyzing Postcolonial Creativity: A...

Lee, Gui Hwan.

FindBook

Google Book

Amazon

博客來

Analyzing Postcolonial Creativity: A Novel Theory for East-Asian New Music and Film Soundtracks.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Analyzing Postcolonial Creativity: A Novel Theory for East-Asian New Music and Film Soundtracks./
作者:	Lee, Gui Hwan.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:	194 p.
附註:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
標題:	Music theory. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30493521
ISBN:	9798380124744

Analyzing Postcolonial Creativity: A Novel Theory for East-Asian New Music and Film Soundtracks.
Lee, Gui Hwan.

Analyzing Postcolonial Creativity: A Novel Theory for East-Asian New Music and Film Soundtracks. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 194 p.

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (Ph.D.)--State University of New York at Stony Brook, 2023.

This item must not be sold to any third party vendors.

Postcolonial and intercultural creativity have been one of the major concerns in research into the music with East-Asian inheritances. However, researchers are still need of a theoretical framework that manages the issues currently challenging this scholarship, such as internal racism and conceptual dependence on colonialism. In Chapter 1, drawing upon Jacques Derrida and Rene Rusch, I seek an alternative framework using the concept of grafting. Grafting is intrinsically open to cultural differences either in compositional practice or in music analysis. The same concept, however, does not necessarily assume a stable connection between heterogeneous cultures. Instead, grafting emphasizes that music can combine a variety of things while acknowledging the possibility of disintegration-i.e., grafted items could return to their original forms at any time and by any chance. Enriching my concept of grafting with other influential thinkers, such as Michel Serres and Claude Levi-Strauss, I also argue that grafting accounts for individual composers, their explorations of heterogeneous things, and their resistance to the fixating tendency of colonialism. Such cases can be divided further into the following three types of grafting: material, technical, and contrapuntal grafting. Chapters 2 to 5 discuss each type as observed in four selected composers with East-Asian inheritances. I examine material grafting within Liza Lim's artistic career (b. 1966, Australia), technical grafting found in Unsuk Chin's composition (b. 1961, South Korea and Germany), and contrapuntal grafting observed in film scores by Jung Jae Il (b. 1982, South Korea) and Joe Hisaishi (b. 1950, Japan). To conclude, my dissertation project demonstrates the benefits of grafting as a novel theoretical framework for contemporary music with East-Asian inheritances. Grafting not only complements existing theoretical frameworks, but also offers a flexible model to address the inner diversity within postcolonial and intercultural creativity.

ISBN: 9798380124744Subjects--Topical Terms:

547155
Music theory.
Subjects--Index Terms:

Contemporary music

Analyzing Postcolonial Creativity: A Novel Theory for East-Asian New Music and Film Soundtracks.
LDR:03320nmm a2200421 4500 001 2394518
005 20240422071030.5
006 m o d
007 cr#unu||||||||
008 251215s2023 ||||||||||||||||| ||eng d
020 $a 9798380124744
035 $a (MiAaPQ)AAI30493521
035 $a AAI30493521
040 $a MiAaPQ $c MiAaPQ
100 1 $a Lee, Gui Hwan. $3 3763994
245 1 0 $a Analyzing Postcolonial Creativity: A Novel Theory for East-Asian New Music and Film Soundtracks.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 194 p.
500 $a Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
500 $a Advisor: Lochhead, Judith.
502 $a Thesis (Ph.D.)--State University of New York at Stony Brook, 2023.
506 $a This item must not be sold to any third party vendors.
520 $a Postcolonial and intercultural creativity have been one of the major concerns in research into the music with East-Asian inheritances. However, researchers are still need of a theoretical framework that manages the issues currently challenging this scholarship, such as internal racism and conceptual dependence on colonialism. In Chapter 1, drawing upon Jacques Derrida and Rene Rusch, I seek an alternative framework using the concept of grafting. Grafting is intrinsically open to cultural differences either in compositional practice or in music analysis. The same concept, however, does not necessarily assume a stable connection between heterogeneous cultures. Instead, grafting emphasizes that music can combine a variety of things while acknowledging the possibility of disintegration-i.e., grafted items could return to their original forms at any time and by any chance. Enriching my concept of grafting with other influential thinkers, such as Michel Serres and Claude Levi-Strauss, I also argue that grafting accounts for individual composers, their explorations of heterogeneous things, and their resistance to the fixating tendency of colonialism. Such cases can be divided further into the following three types of grafting: material, technical, and contrapuntal grafting. Chapters 2 to 5 discuss each type as observed in four selected composers with East-Asian inheritances. I examine material grafting within Liza Lim's artistic career (b. 1966, Australia), technical grafting found in Unsuk Chin's composition (b. 1961, South Korea and Germany), and contrapuntal grafting observed in film scores by Jung Jae Il (b. 1982, South Korea) and Joe Hisaishi (b. 1950, Japan). To conclude, my dissertation project demonstrates the benefits of grafting as a novel theoretical framework for contemporary music with East-Asian inheritances. Grafting not only complements existing theoretical frameworks, but also offers a flexible model to address the inner diversity within postcolonial and intercultural creativity.
590 $a School code: 0771.
650 4 $a Music theory. $3 547155
650 4 $a Asian studies. $3 1571829
650 4 $a Film studies. $3 2122736
650 4 $a Music. $3 516178
653 $a Contemporary music
653 $a Film music
653 $a Hisaishi, Joe
653 $a Jae, Jung, Il
653 $a Lim, Liza
653 $a Chin, Unsuk
690 $a 0221
690 $a 0342
690 $a 0900
690 $a 0413
710 2 $a State University of New York at Stony Brook. $b Music. $3 3277724
773 0 $t Dissertations Abstracts International $g 85-02A.
790 $a 0771
791 $a Ph.D.
792 $a 2023
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30493521