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Sociology of music = history, theory...

Stefanija, Leon.

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Sociology of music = history, theory, methodology and practice /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sociology of music/ by Leon Stefanija.
Reminder of title:	history, theory, methodology and practice /
Author:	Stefanija, Leon.
Published:	Cham :Springer International Publishing : : 2024.,
Description:	xxi, 271 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- A History of Sociological Approaches to Music -- Theory -- Methodology -- Practice of Social Research of Music.
Contained By:	Springer Nature eBook
Subject:	Music - Social aspects. -
Online resource:	https://doi.org/10.1007/978-3-031-61756-0
ISBN:	9783031617560

Sociology of music = history, theory, methodology and practice /
Stefanija, Leon.

Sociology of musichistory, theory, methodology and practice /[electronic resource] :by Leon Stefanija. - Cham :Springer International Publishing :2024. - xxi, 271 p. :ill., digital ;24 cm. - Springer texts in social sciences,2730-6143. - Springer texts in social sciences..

Introduction -- A History of Sociological Approaches to Music -- Theory -- Methodology -- Practice of Social Research of Music.

The textbook provides students with insight into and overview of the basics of social research on music. It addresses the Who, What, When, Where, Why, How of music research through four perspectives from the sociological study of music: a historical survey of the social study of music (when), theoretical points of view (what), and methodological (how), and pragmatic aspects (who, why & how) The other Ws (where and why) are included within the four main perspectives. The four perspectives - history, theory, methodology, and practice - are complementary. Some of the names included in the theory and practice of music are also listed as a part of the history of music sociology, and vice versa. In this way, the book encompasses what Howard S. Becker has conceptualized as an art world, Kurt Blaukopf as musical practice, and Christopher Small as musicking. Covering all the relevant details yet concise in structure, this book is ideal for students of the sociology of music, musical education, musicology and of arts and aethestics.

ISBN: 9783031617560

Standard No.: 10.1007/978-3-031-61756-0doiSubjects--Topical Terms:

561863
Music
--Social aspects.

LC Class. No.: ML3916

Dewey Class. No.: 306.484

Sociology of music = history, theory, methodology and practice /
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505 0 $a Introduction -- A History of Sociological Approaches to Music -- Theory -- Methodology -- Practice of Social Research of Music.
520 $a The textbook provides students with insight into and overview of the basics of social research on music. It addresses the Who, What, When, Where, Why, How of music research through four perspectives from the sociological study of music: a historical survey of the social study of music (when), theoretical points of view (what), and methodological (how), and pragmatic aspects (who, why & how) The other Ws (where and why) are included within the four main perspectives. The four perspectives - history, theory, methodology, and practice - are complementary. Some of the names included in the theory and practice of music are also listed as a part of the history of music sociology, and vice versa. In this way, the book encompasses what Howard S. Becker has conceptualized as an art world, Kurt Blaukopf as musical practice, and Christopher Small as musicking. Covering all the relevant details yet concise in structure, this book is ideal for students of the sociology of music, musical education, musicology and of arts and aethestics.
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