東華大學圖書館 |

(Counter-)archive = memorial practices of the Soviet underground /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	(Counter-)archive/ edited by Klavdia Smola, Ilya Kukulin, Annelie Bachmaier.
其他題名:	memorial practices of the Soviet underground /
其他作者:	Smola, Klavdii͡a.
出版者:	Cham :Springer Nature Switzerland : : 2024.,
面頁冊數:	xxi, 521 p. :ill. (some col.), digital ;24 cm.
內容註:	Part 1: Archiving Subcultures -- Chapter 1: Klavdia Smola, Ilya Kukulin, Annelie Bachmaier: (Counter-)Archive: Memorial Practices of the Soviet Underground. Introduction -- Chapter 2: Juliane Fürst: Notes from the Zone of Kaif: An Exploration of the Azazello Archive -- Chapter 3: Nathalie Moine: Sound Archives from the Margin of the Soviet: Recording Gypsy Tales and Songs in the late Soviet Union -- Part 2: Archival Aesthetics and Poetics -- Chapter 4: Ilja Kukuj: "Keeping the Thread": on the Archival Practices of Ry Nikonova and Sergei Sigei -- Chapter 5: Mikhail Pavlovets: Collected Works, or Texts Selected and Discarded, or Under Construction and Other Words by Boniface and German Lukomnikov as an Exercise in Authorial Self-Archiving -- Chapter 6: Mary Nicholas: Co-Authorship, Collaboration, and Other 'Counter-Archival' Gestures in Late-Soviet Moscow Conceptualism -- Part 3: Artists as Collectors, Philologists, and Cultural Historians -- Chapter 7: Ann Komaromi: The Samizdat Journal Chasy (The Clock) and the Counter-Archive of Unofficial Culture -- Chapter 8: Christian Zehnder: The Leningrad Underground as an Archive of Modernism: Considering Informal Philology in the Late Soviet Union -- Part 4: The Afterlife of Memory -- Chapter 9: Klavdia Smola: Archiving the Life World: Memorial Practices of the Late Soviet Underground and After -- Chapter 10: Maria Engström, Aleksei Semenenko: Recycling the Underground: Archive and Memory Politics in Contemporary Russia -- Chapter 11: Dorine Schellens: Collecting, Archiving, Canonizing: The Role of Exhibitions in the Transnational Reception History of Moscow Conceptualism -- Chapter 12: Michał Mrugalski: The Warsaw Summit of Archivists: Il'ia and Emilia Kabakov's Meeting with Joseph Kosuth on the Borderline between Soviet and Western Banality -- Part 5: Artistic Testimonies -- Chapter 13: Sabine Hänsgen: Translating Moscow Conceptualism -- Chapter 14: Andrei Khlobystin: Wonders and Curiosities -- Chapter 15: Vadim Zakharov: The Artist as Institution: Self-Organization as Institutional Practice(s) in Moscow Conceptualism -- Chapter 16: Elena Penskaia: Archival Strategies and Literary Memory in Vsevolod Nekrasov's Legacy -- Chapter 17: Pavel Arseniev: "Poetry was forever, until it was no more": On the New Temporality and Media-Context of the Contemporary Cultural Movement.
Contained By:	Springer Nature eBook
標題:	Archives - Social aspects - Soviet Union. -
電子資源:	https://doi.org/10.1007/978-3-031-67133-3
ISBN:	9783031671333

(Counter-)archive = memorial practices of the Soviet underground /
(Counter-)archivememorial practices of the Soviet underground /[electronic resource] :edited by Klavdia Smola, Ilya Kukulin, Annelie Bachmaier. - Cham :Springer Nature Switzerland :2024. - xxi, 521 p. :ill. (some col.), digital ;24 cm. - Palgrave Macmillan memory studies,2634-6265. - Palgrave Macmillan memory studies..

Part 1: Archiving Subcultures -- Chapter 1: Klavdia Smola, Ilya Kukulin, Annelie Bachmaier: (Counter-)Archive: Memorial Practices of the Soviet Underground. Introduction -- Chapter 2: Juliane Fürst: Notes from the Zone of Kaif: An Exploration of the Azazello Archive -- Chapter 3: Nathalie Moine: Sound Archives from the Margin of the Soviet: Recording Gypsy Tales and Songs in the late Soviet Union -- Part 2: Archival Aesthetics and Poetics -- Chapter 4: Ilja Kukuj: "Keeping the Thread": on the Archival Practices of Ry Nikonova and Sergei Sigei -- Chapter 5: Mikhail Pavlovets: Collected Works, or Texts Selected and Discarded, or Under Construction and Other Words by Boniface and German Lukomnikov as an Exercise in Authorial Self-Archiving -- Chapter 6: Mary Nicholas: Co-Authorship, Collaboration, and Other 'Counter-Archival' Gestures in Late-Soviet Moscow Conceptualism -- Part 3: Artists as Collectors, Philologists, and Cultural Historians -- Chapter 7: Ann Komaromi: The Samizdat Journal Chasy (The Clock) and the Counter-Archive of Unofficial Culture -- Chapter 8: Christian Zehnder: The Leningrad Underground as an Archive of Modernism: Considering Informal Philology in the Late Soviet Union -- Part 4: The Afterlife of Memory -- Chapter 9: Klavdia Smola: Archiving the Life World: Memorial Practices of the Late Soviet Underground and After -- Chapter 10: Maria Engström, Aleksei Semenenko: Recycling the Underground: Archive and Memory Politics in Contemporary Russia -- Chapter 11: Dorine Schellens: Collecting, Archiving, Canonizing: The Role of Exhibitions in the Transnational Reception History of Moscow Conceptualism -- Chapter 12: Michał Mrugalski: The Warsaw Summit of Archivists: Il'ia and Emilia Kabakov's Meeting with Joseph Kosuth on the Borderline between Soviet and Western Banality -- Part 5: Artistic Testimonies -- Chapter 13: Sabine Hänsgen: Translating Moscow Conceptualism -- Chapter 14: Andrei Khlobystin: Wonders and Curiosities -- Chapter 15: Vadim Zakharov: The Artist as Institution: Self-Organization as Institutional Practice(s) in Moscow Conceptualism -- Chapter 16: Elena Penskaia: Archival Strategies and Literary Memory in Vsevolod Nekrasov's Legacy -- Chapter 17: Pavel Arseniev: "Poetry was forever, until it was no more": On the New Temporality and Media-Context of the Contemporary Cultural Movement.

This book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that "did not exist". Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which - although being half-isolated from the outer world - reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present. Klavdia Smola is Professor and Chair of Slavic Literatures at the University of Dresden, Germany. She obtained her PhD at the University of Tübingen, was visiting professor at the Columbia University and the University of Constance. She published broadly on the Soviet underground culture, russophone minority literatures, and countercultures in Putin's Russia. Ilya Kukulin is Research Fellow at Amherst College, USA. He is a cultural historian and cultural sociologist. He published numerous articles and co-edited several academic collections on the history of Soviet literature, social and cultural history of the USSR, and post-Soviet culture. Annelie Bachmaier is Researcher and Lecturer (Post-Doc) at the Department of Slavic Studies at the University of Dresden, Germany. She received her PhD in Slavic Studies from the University of Regensburg. In her teaching and research, Annelie Bachmaier focuses on Russian and Polish as well as Yiddish literatures and cultures from the 19th to the 21st century.

ISBN: 9783031671333

Standard No.: 10.1007/978-3-031-67133-3doiSubjects--Topical Terms:

3724486
Archives
--Social aspects--Soviet Union.

LC Class. No.: DK266.4

Dewey Class. No.: 947.084

(Counter-)archive = memorial practices of the Soviet underground /
LDR:05317nmm a2200337 a 4500 001 2375179
003 DE-He213
005 20241005124730.0
006 m d
007 cr nn 008maaau
008 241231s2024 sz s 0 eng d
020 $a 9783031671333 $q (electronic bk.)
020 $a 9783031671326 $q (paper)
024 7 $a 10.1007/978-3-031-67133-3 $2 doi
035 $a 978-3-031-67133-3
040 $a GP $c GP
041 0 $a eng
050 4 $a DK266.4
072 7 $a HBAH $2 bicssc
072 7 $a HIS016000 $2 bisacsh
072 7 $a NHAH $2 thema
082 0 4 $a 947.084 $2 23
090 $a DK266.4 $b .C855 2024
245 0 0 $a (Counter-)archive $h [electronic resource] : $b memorial practices of the Soviet underground / $c edited by Klavdia Smola, Ilya Kukulin, Annelie Bachmaier.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xxi, 521 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave Macmillan memory studies, $x 2634-6265
505 0 $a Part 1: Archiving Subcultures -- Chapter 1: Klavdia Smola, Ilya Kukulin, Annelie Bachmaier: (Counter-)Archive: Memorial Practices of the Soviet Underground. Introduction -- Chapter 2: Juliane Fürst: Notes from the Zone of Kaif: An Exploration of the Azazello Archive -- Chapter 3: Nathalie Moine: Sound Archives from the Margin of the Soviet: Recording Gypsy Tales and Songs in the late Soviet Union -- Part 2: Archival Aesthetics and Poetics -- Chapter 4: Ilja Kukuj: "Keeping the Thread": on the Archival Practices of Ry Nikonova and Sergei Sigei -- Chapter 5: Mikhail Pavlovets: Collected Works, or Texts Selected and Discarded, or Under Construction and Other Words by Boniface and German Lukomnikov as an Exercise in Authorial Self-Archiving -- Chapter 6: Mary Nicholas: Co-Authorship, Collaboration, and Other 'Counter-Archival' Gestures in Late-Soviet Moscow Conceptualism -- Part 3: Artists as Collectors, Philologists, and Cultural Historians -- Chapter 7: Ann Komaromi: The Samizdat Journal Chasy (The Clock) and the Counter-Archive of Unofficial Culture -- Chapter 8: Christian Zehnder: The Leningrad Underground as an Archive of Modernism: Considering Informal Philology in the Late Soviet Union -- Part 4: The Afterlife of Memory -- Chapter 9: Klavdia Smola: Archiving the Life World: Memorial Practices of the Late Soviet Underground and After -- Chapter 10: Maria Engström, Aleksei Semenenko: Recycling the Underground: Archive and Memory Politics in Contemporary Russia -- Chapter 11: Dorine Schellens: Collecting, Archiving, Canonizing: The Role of Exhibitions in the Transnational Reception History of Moscow Conceptualism -- Chapter 12: Michał Mrugalski: The Warsaw Summit of Archivists: Il'ia and Emilia Kabakov's Meeting with Joseph Kosuth on the Borderline between Soviet and Western Banality -- Part 5: Artistic Testimonies -- Chapter 13: Sabine Hänsgen: Translating Moscow Conceptualism -- Chapter 14: Andrei Khlobystin: Wonders and Curiosities -- Chapter 15: Vadim Zakharov: The Artist as Institution: Self-Organization as Institutional Practice(s) in Moscow Conceptualism -- Chapter 16: Elena Penskaia: Archival Strategies and Literary Memory in Vsevolod Nekrasov's Legacy -- Chapter 17: Pavel Arseniev: "Poetry was forever, until it was no more": On the New Temporality and Media-Context of the Contemporary Cultural Movement.
520 $a This book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that "did not exist". Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which - although being half-isolated from the outer world - reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present. Klavdia Smola is Professor and Chair of Slavic Literatures at the University of Dresden, Germany. She obtained her PhD at the University of Tübingen, was visiting professor at the Columbia University and the University of Constance. She published broadly on the Soviet underground culture, russophone minority literatures, and countercultures in Putin's Russia. Ilya Kukulin is Research Fellow at Amherst College, USA. He is a cultural historian and cultural sociologist. He published numerous articles and co-edited several academic collections on the history of Soviet literature, social and cultural history of the USSR, and post-Soviet culture. Annelie Bachmaier is Researcher and Lecturer (Post-Doc) at the Department of Slavic Studies at the University of Dresden, Germany. She received her PhD in Slavic Studies from the University of Regensburg. In her teaching and research, Annelie Bachmaier focuses on Russian and Polish as well as Yiddish literatures and cultures from the 19th to the 21st century.
650 0 $a Archives $x Social aspects $z Soviet Union. $3 3724486
650 0 $a Counterculture $z Soviet Union. $3 3724487
650 0 $a Collective memory $z Soviet Union. $3 3724488
650 1 4 $a Memory Studies. $3 2200125
650 2 4 $a Russian, Soviet, and East European History. $3 2200110
650 2 4 $a Visual Culture. $3 3593302
650 2 4 $a Art History. $3 635474
700 1 $a Smola, Klavdii͡a. $3 3724483
700 1 $a Kukulin, I. $3 3724484
700 1 $a Bachmaier, Annelie. $3 3724485
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave Macmillan memory studies. $3 1246329
856 4 0 $u https://doi.org/10.1007/978-3-031-67133-3
950 $a History (SpringerNature-41172)