內容註: |
1. Introduction: Music in the Neoliberal University Sally Macarthur, Julja Szuster and Paul Watt -- Part 1. Behaviours and Bureaucracies -- 2. Incivility and Music in Higher Education Sally Macarthur -- 3. Reconfiguring Gender, Sexuality, Music and Higher Education Sally Macarthur, with Susan McClary, Elizabeth Wood, Judith Lochhead, Jennifer Shaw, and Gillian Rodger -- 4. Shaping of Music Research in Australian Universities 1990s-2020s: ERA, Quality, Value, Impact and Workplace Pressure Jane Davidson -- 5. Recovering Musicology as a Public Service in the Neoliberal University: Obstacles, Obligations and Opportunities Peter Tregear -- Part 2. Teaching, Research and Scholarship: Forging New Pathways and Partners -- 6. Historical Performance in Early Opera: A Brown Female Artist-Scholar's Autoethnography Charulatha Mani -- 7. Decoloniality and the Disappearance of Ethnomusicology in Australian Universities: Where are we Now? Elizabeth Mackinlay and Katelyn Barney -- 8. To Sound the Drum: A Dialogue on Value and Change in Relation to First Nations Music and Research in the Academy; Tiriki Onus and Sally Treloyn -- Part 3. Higher Degrees, Research Practice and New Materialism -- 9. The Music Practice PhD: Where is it Headed? ;Julja Szuster and Paul Watt -- 10. Interdisciplinarity and Musicology in Higher Degree Research ;Joseph Williams,- 11. Sensual Encounters with the Materiality of Rachmaninoff's Piano Concerto No. 2; Bronwyn Davies and Sally Macarthur. |