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Introduction: Neo-Victorianism - Sarah E. Maier and Brenda Ayres -- Section 1: Neo-Victorian Genesis -- Chapter 1: Reinventing the Victorians by Jean Rhys and John Fowles - Catherine Layton -- Chapter 2: Tradition and Innovation in A.S. Byatt's Possession - Pritika Pradhan, Rutgers University -- Chapter 3: Neo-Victorian Poetry - Jo Morton, University of Greenwich -- Section 2: Neo-Victorian Performances -- Chapter 4: Adapting Wilkie Collins Adapting Himself: Revisiting The Moonstone (1868, 1877, 2016) - Robert Laurella, University of Oxford -- Chapter 5: Miss Potter and Victorian Women's Artistic Aspirations - Maria Juko, University of Hamburg -- Chapter 6: "And thou art like the poisonous tree / That stole my life away": The Afterlives of Pre-Raphaelite Women in Desperate Romantics - Anne-Marie Beller and Claire O'Callaghan, Loughborough University, UK -- Chapter 7: Interpretations are Illimitable: Adapting George Eliot - Saswati Halder, Jadavpur University -- Chapter 8: Neo-Victorian Musical Theatre - Marija Reiff, American University of Sharjah -- Chapter 9: The Tortured Genius of the Neo-Victorian West End - Louise Creechan, Durham University -- Chapter 10: Music Hall and "The Handprint of History on the Present Moment" - Catherine Quirk, Edge Hill University -- Section 3: Neo-Victorian Crime, Empire, and Postcolonialism -- Chapter 11: The Thug in the Margin and the Murderer in the Centre: Re-reading the Victorian Discourse of Criminology in Tabish Khair's The Thing About Thugs - Sajalkumar Bhattacharya, Kazi Nazrul University -- Chapter 12: Neo-Victorian Violence - Sophie Franklin, University of Tübingen -- Chapter 13: Rewriting the Convict Life in Australia: A Reading of Peter Carey's Jack Maggs - Anjan Saikia, Kamargaon College -- Chapter 14: Under Transimperial Eyes: Traversing Anarchy, Crime, and Patriotism in Neo-Japanese- Victorian Anime, Moriarty, the Patriot - Preeshita Biswas, Texas Christian University -- Chapter 15: The Brontë Myth, Biofiction and Neo-Victorian Crime Novels - Barbara Braid, University of Szczecin -- Chapter 16: The Sinister Community of Objects: An Archaeological Reading of The Silent Companions - Arka Chakraborty, Jadavpur University -- Section 4: Neo-Victorian Gothic and Materiality -- Chapter 17: Temporality of the Neo-Victorian: Abjection in Matthew Kneale's Sweet Thames - Suvendu Ghatak, University of Florida -- Chapter 18: The Hauntology of the Neo-Victorian Ghost Story - Brenda Ayres -- Chapter 19: Crimson Peak: The Ghosting of the Past - Brenda Ayres -- Chapter 20: The Limehouse Golem: Female Agency and Neo-Victorian Slumming - Brooke Cameron, Queen's University, Ontario -- Chapter 21: Dust and Sewers, Filth and Waste: Disgusting Neo-Victorian Narratives - Eckart Voigts, TU Braunschweig -- Chapter 22: Victorian Ghostwriters, House Whisperers, and the Haunted House in Home Before Dark - Brenda Ayres -- Section 5: Neo-Victorian Other(s) -Chapter 23: "Cult of the Neo-Victorian Child" - Patricia Pulham, University of Surrey -- Chapter 24: Neo-Victorian Bodies of Inquiry: Narratives for Tweens to Teens - Sarah E. Maier -- Chapter 25: Neo-Victorian Queerness: New Directions - Rachel M. Friars, Queen's University, Ontario -- Chapter 26: On Neo-Victorian Addiction, Alienism, Sex, and Insanity - Sarah E. Maier -- Chapter 27: "Men in Women's Clothes": Re-Imagining Stella and Fanny in Neo-Victorian Celebrity Biofiction - Danielle Mariann Dove, University of Surrey and Daný van Dam, Leiden University -- Section 6: Neo-Victorian Religion and Science -- Chapter 28: Dracula Never Dies: Spirituality and Science in the Neo-Victorian Vampire - Carole Senf, Georgia Tech -- Chapter 29: "Neo-Victorian Religion" - Miriam Elizabeth Burstein, SUNY Brockport -- Chapter 29: Exotic Prehistory or Relevant Science: Sukumar Ray's Posthuman Subversion of Victorian Travel Literature - Sutirtho Roy, University of Calcutta -- Chapter 30: "I'm going to break you and remake you": Reimagining David Lynch's The Elephant Man in Museum, Documentary, and Comedy - Helen Davies, University of Wolverhampton and Louise Logan-Smith, Teesside University -- Section 7: Neo-Victorian Outcomes -- Chapter 31: Neo-Victorian Graphic Novel - Catherine Golden, Skidmore College -- Chapter 32: Gaslight: The Play, the Film, the Verb - Benjamin Poore, University of York -- Chapter 33: Is Steampunk Neo-Victorian? - Martin Danahay, Brock University -- Chapter 34: Drag, Dreadfuls, and Draculas: (Neo-)Victorians for TV - Sarah E. Maier. |