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Dramaturgies of war = institutional dramaturgy, politics, and conflict in 20th-century Germany /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dramaturgies of war/ edited by Anselm Heinrich, Ann-Christine Simke.
其他題名:	institutional dramaturgy, politics, and conflict in 20th-century Germany /
其他作者:	Heinrich, Anselm.
出版者:	Cham :Springer International Publishing : : 2024.,
面頁冊數:	xvii, 279 p. :ill., digital ;22 cm.
內容註:	Chapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires - Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht's Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the Open Air: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin - Amsterdam - Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London.
Contained By:	Springer Nature eBook
標題:	German drama - History and criticism. - 20th century -
電子資源:	https://doi.org/10.1007/978-3-031-39318-1
ISBN:	9783031393181

Dramaturgies of war = institutional dramaturgy, politics, and conflict in 20th-century Germany /
Dramaturgies of warinstitutional dramaturgy, politics, and conflict in 20th-century Germany /[electronic resource] :edited by Anselm Heinrich, Ann-Christine Simke. - Cham :Springer International Publishing :2024. - xvii, 279 p. :ill., digital ;22 cm.

Chapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires - Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht's Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the Open Air: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin - Amsterdam - Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London.

This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the "institutional turn" in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers' studies, but one that has far wider institutional and political implications. Anselm Heinrich is a Professor of Theatre Studies at the University of Glasgow. His books include Entertainment, Education, Propaganda (2007), Theater in der Region (2012), Theatre in Europe Under German Occupation (2017), and a volume on Ruskin, The Theatre, and Victorian Visual Culture (2009) He is currently under contract for a monograph on theatre in Britain during WWII. He has held research fellowships at Harvard, Oxford and Marburg. Ann-Christine Simke is a Lecturer in Performance at the University of the West of Scotland. She recently published the article "Forensic Architecture in the Theatre and the Gallery: A Reflection on Counter hegemonic Potentials and Pitfalls of Art Institutions" (with Anika Marschall, 2022) and is currently under contract for a co-authored (with Anika Marschall) book on intersectional theatre practices.

ISBN: 9783031393181

Standard No.: 10.1007/978-3-031-39318-1doiSubjects--Topical Terms:

1098854
German drama
--History and criticism.--20th century

LC Class. No.: PT668 / .D736 2024

Dewey Class. No.: 832.914093581

Dramaturgies of war = institutional dramaturgy, politics, and conflict in 20th-century Germany /
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