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The artist's studio : = a cultural h...

Hall, James, (1963-)

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The artist's studio : = a cultural history /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The artist's studio :/ James Hall.
其他題名:	a cultural history /
作者:	Hall, James,
出版者:	London :Thames & Hudson, : c2022.,
面頁冊數:	288 p. :ill. (chiefly col.) ;25 cm.
標題:	Artists' studios - History. -
ISBN:	0500021716

The artist's studio : = a cultural history /
Hall, James,1963-

The artist's studio :a cultural history /James Hall. - London :Thames & Hudson,c2022. - 288 p. :ill. (chiefly col.) ;25 cm.

Includes bibliographical references (p. 270-280) and index.

Introduction --

An exciting narrative and visual history of the artist's studio, examining the myth and reality of the creative space from early times to today. The artist's workplace has always been an imaginary as well as an actual location, an idealized utopia as well as the domain of dirty, back-breaking work. Written descriptions, paintings, prints and even photographs of the artist's atelier distort as much as they document. This pioneering cultural history charts the myth and reality of the creative space from Ancient Greece to the present day. Tracing a history that extends far beyond the bohemian, romantic and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers, and some amateurs, are included, and so too are craftspeople - workers in metal and wood, potters, illuminators, weavers, embroiderers and architects to name a few. Each carefully chosen example is placed within a cultural and political context, with the aim of correcting the historical imbalance that has long overlooked the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist's museum and the artist's house, as well plein air painting and the development of portable studios.

ISBN: 0500021716

LCCN: 2022931880Subjects--Topical Terms:

3727082
Artists' studios
--History.

LC Class. No.: N8520 / .H35 2022

Dewey Class. No.: 702.8

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505 0 0 $t Introduction -- $t Luxury and lameness : the shield of Achilles -- $t Wisdom's workshop : Simon the shoemaker -- $t Struggles in the scriptorium : waging war on dead skin -- $t Pure gold : doing God's (or the devil's) work -- $t The velvet revolution : Cennini's Studietto -- $t Piety and pretentiousness : Saint Luke paints the Virgin -- $t 'Always keeping paper in his hand' : a school for art and scandal -- $t In and out of the comfort zone : Leonardo versus Michelangelo -- $t Creatures of the night : 'only the dark serves to plant man' -- $t Making a spectacle : the systematic studio -- $t Mirroring the process : Velazquez to Reynolds -- $t Women in the studio : inspiration, destitution, cleaning, crimes of passion -- $t Chaste space : Friedrich to Mondrian -- $t Eliminating easels : workshop and factory -- $t Inside/outside : studios for nomads.
520 8 $a An exciting narrative and visual history of the artist's studio, examining the myth and reality of the creative space from early times to today. The artist's workplace has always been an imaginary as well as an actual location, an idealized utopia as well as the domain of dirty, back-breaking work. Written descriptions, paintings, prints and even photographs of the artist's atelier distort as much as they document. This pioneering cultural history charts the myth and reality of the creative space from Ancient Greece to the present day. Tracing a history that extends far beyond the bohemian, romantic and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers, and some amateurs, are included, and so too are craftspeople - workers in metal and wood, potters, illuminators, weavers, embroiderers and architects to name a few. Each carefully chosen example is placed within a cultural and political context, with the aim of correcting the historical imbalance that has long overlooked the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist's museum and the artist's house, as well plein air painting and the development of portable studios.
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