東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

From Creation to Preservation : = Film Laboratories in the Moving Image Archiving and Preservation Field.

Record Type:	Electronic resources : Monograph/item
Title/Author:	From Creation to Preservation :/
Reminder of title:	Film Laboratories in the Moving Image Archiving and Preservation Field.
Author:	Villon, Patricia Ledesma.
Description:	1 online resource (133 pages)
Notes:	Source: Masters Abstracts International, Volume: 84-06.
Contained By:	Masters Abstracts International84-06.
Subject:	Library science. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29994337click for full text (PQDT)
ISBN:	9798358481664

From Creation to Preservation : = Film Laboratories in the Moving Image Archiving and Preservation Field.
Villon, Patricia Ledesma.

From Creation to Preservation :Film Laboratories in the Moving Image Archiving and Preservation Field. - 1 online resource (133 pages)

Source: Masters Abstracts International, Volume: 84-06.

Thesis (M.L.I.S.)--University of California, Los Angeles, 2022.

Includes bibliographical references

Moving image archiving and preservation work concerned with the stewardship of media on photochemical film often involves the creation of new prints from at-risk original or extant materials. Film archivists and preservationists rely on technicians in sites known as film laboratories to conduct this work, where the images of photochemical film come to visual life through chemical processing and mechanical methods of duplication. Despite this working relationship, a need for a more extensive study of the role of film laboratories as organizations operating within or adjacent to the moving image archiving and preservation field remains. Structured interviews were conducted with employees, participants, and technicians of six film laboratories: commercial film laboratories Colorlab and Pro8mm; archival film laboratories at the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division and the Packard Humanities Institute; and artist-run film laboratories L'Abominable and Nanolab. By outlining their broader institutional logics and assessing how their various economic models, organizational structures, and technical practices align with the field, this thesis demonstrates the significant contributions that film laboratories make to the lifecycle of film and moving image archiving and preservation.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798358481664Subjects--Topical Terms:

539284
Library science.
Subjects--Index Terms:

Archival studiesIndex Terms--Genre/Form:

542853
Electronic books.

From Creation to Preservation : = Film Laboratories in the Moving Image Archiving and Preservation Field.
LDR:02759nmm a2200397K 4500 001 2365718
005 20231218204648.5
006 m o d
007 cr mn ---uuuuu
008 241011s2022 xx obm 000 0 eng d
020 $a 9798358481664
035 $a (MiAaPQ)AAI29994337
035 $a AAI29994337
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Villon, Patricia Ledesma. $3 3706586
245 1 0 $a From Creation to Preservation : $b Film Laboratories in the Moving Image Archiving and Preservation Field.
264 0 $c 2022
300 $a 1 online resource (133 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 84-06.
500 $a Advisor: VanCour, Shawn G.
502 $a Thesis (M.L.I.S.)--University of California, Los Angeles, 2022.
504 $a Includes bibliographical references
520 $a Moving image archiving and preservation work concerned with the stewardship of media on photochemical film often involves the creation of new prints from at-risk original or extant materials. Film archivists and preservationists rely on technicians in sites known as film laboratories to conduct this work, where the images of photochemical film come to visual life through chemical processing and mechanical methods of duplication. Despite this working relationship, a need for a more extensive study of the role of film laboratories as organizations operating within or adjacent to the moving image archiving and preservation field remains. Structured interviews were conducted with employees, participants, and technicians of six film laboratories: commercial film laboratories Colorlab and Pro8mm; archival film laboratories at the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division and the Packard Humanities Institute; and artist-run film laboratories L'Abominable and Nanolab. By outlining their broader institutional logics and assessing how their various economic models, organizational structures, and technical practices align with the field, this thesis demonstrates the significant contributions that film laboratories make to the lifecycle of film and moving image archiving and preservation.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Library science. $3 539284
650 4 $a Film studies. $3 2122736
650 4 $a Social research. $3 2122687
653 $a Archival studies
653 $a Audiovisual archives
653 $a Film laboratories
653 $a Film preservation
653 $a Moving image archiving and preservation
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0399
690 $a 0900
690 $a 0344
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a University of California, Los Angeles. $b Information Studies 045A. $3 3170119
773 0 $t Masters Abstracts International $g 84-06.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29994337 $z click for full text (PQDT)