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The Emergence and Evolution of Images of Ancient Roman Architecture in Renaissance and Early Baroque Rome.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Emergence and Evolution of Images of Ancient Roman Architecture in Renaissance and Early Baroque Rome./
作者:	Knight, Janina M.
面頁冊數:	1 online resource (398 pages)
附註:	Source: Dissertations Abstracts International, Volume: 82-11, Section: A.
Contained By:	Dissertations Abstracts International82-11A.
標題:	Woodcuts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28389605click for full text (PQDT)
ISBN:	9798708799609

The Emergence and Evolution of Images of Ancient Roman Architecture in Renaissance and Early Baroque Rome.
Knight, Janina M.

The Emergence and Evolution of Images of Ancient Roman Architecture in Renaissance and Early Baroque Rome. - 1 online resource (398 pages)

Source: Dissertations Abstracts International, Volume: 82-11, Section: A.

Thesis (Ph.D.)--Queen's University (Canada), 2013.

Includes bibliographical references

This dissertation is a comprehensive and analytical study of drawings and prints produced by artists and architects between the fifteenth and early seventeenth centuries showing Roman ruins. The unprecedented interest in classical antiquity that emerged in the fifteenth century, which came to define the artistic, architectural, and cultural evolution of the Renaissance, was the catalyst for the production of such ruin-based images, of which thousands of examples survive. Because these drawings and prints were all inspired by and depict Roman ruins, they have often been treated as a single, cohesive genre of image. In this dissertation, however, these ruin-based images are categorized as architectural or archaeological studies, vedute of ruinous land- or cityscapes, architectural treatise and guidebook illustrations, topographical maps, and imaginative reconstructions of antique monuments. They are examined according to distinct criteria such as media, methods of representation, and the different purposes for the creation of said works. As a result, a better understanding of the complexities of early modern antiquarian interests is revealed, especially in regards to the contributions of artists and architects to the early study of ancient architecture. This dissertation addresses how artists and architects were innately fascinated with the architectural remains of ancient Rome, and how the medium of drawing proved to be the ideal method for studying, understanding, and interpreting ruins. The reciprocal relationship between artists, architects, and antiquarians is also addressed with the result that many extant ruin-based images found in museums and art collections throughout the world can now be understood as an integral part of a widespread antiquarian movement that shaped the Renaissance and early Baroque periods, especially in Rome.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798708799609Subjects--Topical Terms:

3682250
Woodcuts.
Subjects--Index Terms:

Renaissance artIndex Terms--Genre/Form:

542853
Electronic books.

The Emergence and Evolution of Images of Ancient Roman Architecture in Renaissance and Early Baroque Rome.
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