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Weaving Against Empire : = Warped Feminism, Aesthetics, and the Archives of Fabric and Textile Art.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Weaving Against Empire :/
其他題名:
Warped Feminism, Aesthetics, and the Archives of Fabric and Textile Art.
作者:
Mishra, Amrut.
面頁冊數:
1 online resource (169 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Contained By:
Dissertations Abstracts International84-11A.
標題:
Communication. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30419625click for full text (PQDT)
ISBN:
9798379551742
Weaving Against Empire : = Warped Feminism, Aesthetics, and the Archives of Fabric and Textile Art.
Mishra, Amrut.
Weaving Against Empire :
Warped Feminism, Aesthetics, and the Archives of Fabric and Textile Art. - 1 online resource (169 pages)
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2023.
Includes bibliographical references
Weaving Against Empire surveys the anticolonial, aesthetic disorientation found in the installation and performance works of Yinka Shonibare, Renee Green, and Raisa Kabir. Forwarding warped feminism as a method of archival ethnography that attunes itself to the material qualities of fabric, the affective particularities of the archive, and the discursive meanings sustained through trope, I cut across disciplinary knowledge formations to seek out the disorienting relationality sustained through Space Walk (2002), the Commemorative Toile series (1991-present), Build me a loom off your back and your stomach (2018), and You and I are More Alike (2017). The aesthetic disorientations cultivated by these artists intervene in the habits of sensation and structures of feeling that accrete within fabrics like batik and calico, or instruments like the mechanized loom, thereby dislodging their function as tropic anchors of identity. These sensory disorientations mingle the sonic rhythms of Philadelphia International Records with the colorful dye-work of wax prints, imbue the intimate touch of sateen with the anti-Black lexicon of Western visuality, and unweave affiliations with the nation-state through diasporic movement. By doing so, these practitioners disorient their audience towards a different inhabitation of the world, alternative schemas of aesthetic valuation, and new sensory relations.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379551742Subjects--Topical Terms:
524709
Communication.
Subjects--Index Terms:
Black feminismIndex Terms--Genre/Form:
542853
Electronic books.
Weaving Against Empire : = Warped Feminism, Aesthetics, and the Archives of Fabric and Textile Art.
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Weaving Against Empire surveys the anticolonial, aesthetic disorientation found in the installation and performance works of Yinka Shonibare, Renee Green, and Raisa Kabir. Forwarding warped feminism as a method of archival ethnography that attunes itself to the material qualities of fabric, the affective particularities of the archive, and the discursive meanings sustained through trope, I cut across disciplinary knowledge formations to seek out the disorienting relationality sustained through Space Walk (2002), the Commemorative Toile series (1991-present), Build me a loom off your back and your stomach (2018), and You and I are More Alike (2017). The aesthetic disorientations cultivated by these artists intervene in the habits of sensation and structures of feeling that accrete within fabrics like batik and calico, or instruments like the mechanized loom, thereby dislodging their function as tropic anchors of identity. These sensory disorientations mingle the sonic rhythms of Philadelphia International Records with the colorful dye-work of wax prints, imbue the intimate touch of sateen with the anti-Black lexicon of Western visuality, and unweave affiliations with the nation-state through diasporic movement. By doing so, these practitioners disorient their audience towards a different inhabitation of the world, alternative schemas of aesthetic valuation, and new sensory relations.
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