東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Dress, Masculinities and Memory : = Commemorating the Revolutionary Body in Ireland.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dress, Masculinities and Memory :/
其他題名:	Commemorating the Revolutionary Body in Ireland.
作者:	Phelan, Miriam.
面頁冊數:	1 online resource (279 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-10, Section: A.
Contained By:	Dissertations Abstracts International84-10A.
標題:	National identity. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30394707click for full text (PQDT)
ISBN:	9798377694540

Dress, Masculinities and Memory : = Commemorating the Revolutionary Body in Ireland.
Phelan, Miriam.

Dress, Masculinities and Memory :Commemorating the Revolutionary Body in Ireland. - 1 online resource (279 pages)

Source: Dissertations Abstracts International, Volume: 84-10, Section: A.

Thesis (Ph.D.)--Royal College of Art (United Kingdom), 2023.

Includes bibliographical references

This thesis analyses the commemoration of the Revolutionary Period (1912-1923) in Ireland during the current Decade of Centenaries (2012-2023) by exploring the embodiment of national memory through dress and the body. I question the impact of the commemoration of conflict on constructions of masculine and national identity. I analyse how conflict is interpreted, remembered, and re-enacted on and through the male body as part of the practice of remembrance. Finally, I demonstrate how an analysis of dress and the body can destabilise the history and memory of conflict and force new perspectives on the continual reshaping of material culture through remembrance.The Revolutionary Period saw a series of violent conflicts and political crises erupt across Ireland, which led to the foundation of the Irish Free State in 1922 and, eventually, the Republic of Ireland in 1949. As of 2012, Ireland entered a period of successive centenary commemorations that have enabled a re-examination of national memory and the re-enactment of history. Throughout this research, I engage ideas of authenticity, myth, and the making of history to analyse how bodies - living and dead, dressed and undressed - move through the time and space of conflict. This research reconciles the history of the Revolutionary Period with the history of commemoration, with a particular focus on how Irish masculinities and nationhood are articulated in history-making and the relationship between embodied memory and dress.Through an interdisciplinary methodological framework, this thesis engages dress as an embodiment of history and memory to analyse how the Revolutionary Period has been and is being commemorated in museum exhibitions, plays, performances, digital media and as living history. Dress and the body constitute my primary source materials. They complicate Irish national memory and demonstrate the significance of the materiality of war, conflict, and crisis in the process of commemoration and in the cultivation of a national and collective memory.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798377694540Subjects--Topical Terms:

3558957
National identity.
Index Terms--Genre/Form:

542853
Electronic books.

Dress, Masculinities and Memory : = Commemorating the Revolutionary Body in Ireland.
LDR:03328nmm a2200349K 4500 001 2363931
005 20231127094737.5
006 m o d
007 cr mn ---uuuuu
008 241011s2023 xx obm 000 0 eng d
020 $a 9798377694540
035 $a (MiAaPQ)AAI30394707
035 $a (MiAaPQ)RoyalCollegeArt5279
035 $a AAI30394707
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Phelan, Miriam. $3 3704707
245 1 0 $a Dress, Masculinities and Memory : $b Commemorating the Revolutionary Body in Ireland.
264 0 $c 2023
300 $a 1 online resource (279 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 84-10, Section: A.
500 $a Advisor: Cheang, Sarah;Tynan, Jane.
502 $a Thesis (Ph.D.)--Royal College of Art (United Kingdom), 2023.
504 $a Includes bibliographical references
520 $a This thesis analyses the commemoration of the Revolutionary Period (1912-1923) in Ireland during the current Decade of Centenaries (2012-2023) by exploring the embodiment of national memory through dress and the body. I question the impact of the commemoration of conflict on constructions of masculine and national identity. I analyse how conflict is interpreted, remembered, and re-enacted on and through the male body as part of the practice of remembrance. Finally, I demonstrate how an analysis of dress and the body can destabilise the history and memory of conflict and force new perspectives on the continual reshaping of material culture through remembrance.The Revolutionary Period saw a series of violent conflicts and political crises erupt across Ireland, which led to the foundation of the Irish Free State in 1922 and, eventually, the Republic of Ireland in 1949. As of 2012, Ireland entered a period of successive centenary commemorations that have enabled a re-examination of national memory and the re-enactment of history. Throughout this research, I engage ideas of authenticity, myth, and the making of history to analyse how bodies - living and dead, dressed and undressed - move through the time and space of conflict. This research reconciles the history of the Revolutionary Period with the history of commemoration, with a particular focus on how Irish masculinities and nationhood are articulated in history-making and the relationship between embodied memory and dress.Through an interdisciplinary methodological framework, this thesis engages dress as an embodiment of history and memory to analyse how the Revolutionary Period has been and is being commemorated in museum exhibitions, plays, performances, digital media and as living history. Dress and the body constitute my primary source materials. They complicate Irish national memory and demonstrate the significance of the materiality of war, conflict, and crisis in the process of commemoration and in the cultivation of a national and collective memory.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a National identity. $3 3558957
650 4 $a Violence. $3 528323
650 4 $a Truces & cease fires. $3 3687756
650 4 $a Masculinity. $3 526809
650 4 $a Alternative dispute resolution. $3 3168470
650 4 $a European studies. $3 3168420
650 4 $a Peace studies. $3 3172392
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0649
690 $a 0440
690 $a 0563
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Royal College of Art (United Kingdom). $3 3551804
773 0 $t Dissertations Abstracts International $g 84-10A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30394707 $z click for full text (PQDT)