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Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Theorizing Sonata Form from the Margins :/
其他題名:	The Keyboard Sonata in Eighteenth-Century Spain.
作者:	Espinosa, Bryan Stevens.
面頁冊數:	1 online resource (204 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-05, Section: A.
Contained By:	Dissertations Abstracts International84-05A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30183463click for full text (PQDT)
ISBN:	9798352933084

Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.
Espinosa, Bryan Stevens.

Theorizing Sonata Form from the Margins :The Keyboard Sonata in Eighteenth-Century Spain. - 1 online resource (204 pages)

Source: Dissertations Abstracts International, Volume: 84-05, Section: A.

Thesis (Ph.D.)--University of North Texas, 2022.

Includes bibliographical references

This study describes a set of salient formal norms for the eighteenth-century Spanish keyboard sonata through an application of Hepokoski and Darcy's sonata theory, William Caplin's form-functional theory, and Robert Gjerdingen's schema theory. It finds that particular thematic types, intra-thematic functions, and rhetorical markers characterize this repertoire. In order to trace the development of these norms throughout the eighteenth century, this work is organized into two parts. The first part (Chapters 2 and 3) examines the mid-century Spanish keyboard sonatas of Sebastian de Albero (1722-1756), Joaquin Ojinaga (1719-1789), and their contemporaries. The second part (Chapters 4 and 5) examines the late-century Spanish keyboard sonatas of Manuel Blasco de Nebra (1750-1783) and his contemporaries.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798352933084Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

SonataIndex Terms--Genre/Form:

542853
Electronic books.

Theorizing Sonata Form from the Margins : = The Keyboard Sonata in Eighteenth-Century Spain.
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520 $a This study describes a set of salient formal norms for the eighteenth-century Spanish keyboard sonata through an application of Hepokoski and Darcy's sonata theory, William Caplin's form-functional theory, and Robert Gjerdingen's schema theory. It finds that particular thematic types, intra-thematic functions, and rhetorical markers characterize this repertoire. In order to trace the development of these norms throughout the eighteenth century, this work is organized into two parts. The first part (Chapters 2 and 3) examines the mid-century Spanish keyboard sonatas of Sebastian de Albero (1722-1756), Joaquin Ojinaga (1719-1789), and their contemporaries. The second part (Chapters 4 and 5) examines the late-century Spanish keyboard sonatas of Manuel Blasco de Nebra (1750-1783) and his contemporaries.
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