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The Theatrical Pendulum : = Paths of Innovation in the Modernist Stage.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Theatrical Pendulum :/
其他題名:	Paths of Innovation in the Modernist Stage.
作者:	Perez-Simon, Andres.
面頁冊數:	1 online resource (219 pages)
附註:	Source: Dissertations Abstracts International, Volume: 74-11, Section: A.
Contained By:	Dissertations Abstracts International74-11A.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NR97274click for full text (PQDT)
ISBN:	9780494972748

The Theatrical Pendulum : = Paths of Innovation in the Modernist Stage.
Perez-Simon, Andres.

The Theatrical Pendulum :Paths of Innovation in the Modernist Stage. - 1 online resource (219 pages)

Source: Dissertations Abstracts International, Volume: 74-11, Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2010.

Includes bibliographical references

This dissertation examines the renovation of the modernist stage, from the beginning of the twentieth century to the late 1930s, via a retrieval of three artistic forms that had marginal importance in the commercial theatre of the nineteenth century. These three paths are the commedia dell'arte, puppetry and marionettes, and, finally, what I denominate mysterium, following Elinor Fuch's terminology in The Death of Character. This dissertation covers the temporal span of the first three decades of the twentieth century and, at the same time, analyzes modernist theatre in connection with the history of Western drama since the consolidation of the bourgeois institution of theatre around the late eighteenth century. The Theatrical Pendulum: Paths of Innovation in the Modernist Staget studies the renovation of the bourgeois institution of theatre by means of the rediscovery of artistic forms previously relegated to a peripheral status in the capitalist system of artistic production and distribution. In their dramatic works, Nikolai Evreinov, Josef and Karel C˘apek, Massimo Bontempelli, and Federico Garcia Lorca present fictional actors, playwrights and directors who resist the fact that their work be evaluated as just another commodity. These dramatists collaborate with the commercial stage of their time, instead of adopting the radical stance that characterized avant-garde movements such as Italian futurism and Dadaism. Yet they also question the illusionist fourth wall separating stage and audience in order to denounce the subjection of the modernist artist to the expectations of bourgeois spectators. Jan Mukar˘ovsky's concept of practical function in art is central to understanding the didactic nature of the dramatic texts studied in this dissertation. By claiming the importance of Mukar˘ovsky's phenomenological structuralism, I propose a new reading of the theoretical legacy of the Prague School in conjunction with recent contributions in the field of theatre studies by Elinor Fuchs, Martin Puchner and other scholars whose work will be discussed here.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9780494972748Subjects--Topical Terms:

570001
Comparative literature.
Subjects--Index Terms:

BontempelliIndex Terms--Genre/Form:

542853
Electronic books.

The Theatrical Pendulum : = Paths of Innovation in the Modernist Stage.
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