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Dramatic Genres, Musical Genres : = Thematic Uses of Music in Shakespearean Drama.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dramatic Genres, Musical Genres :/
其他題名:	Thematic Uses of Music in Shakespearean Drama.
作者:	Hohne, Marcus.
面頁冊數:	1 online resource (163 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:	Dissertations Abstracts International84-12A.
標題:	Literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30248511click for full text (PQDT)
ISBN:	9798379752033

Dramatic Genres, Musical Genres : = Thematic Uses of Music in Shakespearean Drama.
Hohne, Marcus.

Dramatic Genres, Musical Genres :Thematic Uses of Music in Shakespearean Drama. - 1 online resource (163 pages)

Source: Dissertations Abstracts International, Volume: 84-12, Section: A.

Thesis (Ph.D.)--University of Kansas, 2023.

Includes bibliographical references

This doctoral dissertation project explores possible correlations between sounds and music with particular dramatic genres in a selection of Shakespeare's plays. A central goal of this study is to demonstrate that the sounds, noises, and music used in the three dramatic genres surveyed (comedy, tragedy, and romance) create a characteristic soundscape in each play, and further to explore the extent to which the various soundscapes exhibit correlations between music and musical genres, and drama and dramatic genres. Because the gradual unfolding of events in each play is achieved partly by means of its given soundscape, generic unfolding is something that music participates in, making it not only an aesthetic category but also an integral part of the plays' dramatic genres.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798379752033Subjects--Topical Terms:

537498
Literature.
Subjects--Index Terms:

GenreIndex Terms--Genre/Form:

542853
Electronic books.

Dramatic Genres, Musical Genres : = Thematic Uses of Music in Shakespearean Drama.
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520 $a This doctoral dissertation project explores possible correlations between sounds and music with particular dramatic genres in a selection of Shakespeare's plays. A central goal of this study is to demonstrate that the sounds, noises, and music used in the three dramatic genres surveyed (comedy, tragedy, and romance) create a characteristic soundscape in each play, and further to explore the extent to which the various soundscapes exhibit correlations between music and musical genres, and drama and dramatic genres. Because the gradual unfolding of events in each play is achieved partly by means of its given soundscape, generic unfolding is something that music participates in, making it not only an aesthetic category but also an integral part of the plays' dramatic genres.
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