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"Can't Kill the Soul:" The Value of Black Vernacular Photographs in the Domestic Archive and Beyond.

Record Type:	Electronic resources : Monograph/item
Title/Author:	"Can't Kill the Soul:" The Value of Black Vernacular Photographs in the Domestic Archive and Beyond./
Author:	Prince, Alisa Victoria.
Description:	1 online resource (230 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-04, Section: A.
Contained By:	Dissertations Abstracts International84-04A.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29391838click for full text (PQDT)
ISBN:	9798352900307

"Can't Kill the Soul:" The Value of Black Vernacular Photographs in the Domestic Archive and Beyond.
Prince, Alisa Victoria.

"Can't Kill the Soul:" The Value of Black Vernacular Photographs in the Domestic Archive and Beyond. - 1 online resource (230 pages)

Source: Dissertations Abstracts International, Volume: 84-04, Section: A.

Thesis (Ph.D.)--University of Rochester, 2022.

Includes bibliographical references

'Can't Kill The Soul': The Value of Black Vernacular Photographs in the Domestic Archive and Beyond examines 'domestic archives,' collections of photographs and other memorabilia, within the homes of Black families and the spaces such objects inhabit outside of the home. It investigates the multivalence of "value" by exploring how it comes to exist, function, and resultantly determine our perceptions of self through both history and our imagined futurity. Coined by historian Daina Ramey Berry, soul value is an affirmation of one's heritage and self-worth; it evades the commodification of Black people that traces back to the transatlantic slave trade. By analyzing the work of James VanDerZee, this dissertation explores the function of photographs inside the home as conduits of soul value. It queries how family photographs transition onto the market, and eventually into private collections and museums. Identifying anonymity as a crucial determinant of where photographs travel and what values they receive, this project assesses the interplay between imagination and identification in photographic viewing practices. 'Can't Kill The Soul' articulates where soul value arises in the work of Tyler Mitchell, Carrie Mae Weems, and Dawoud Bey. Drawing from Tina Campt's notion of a Black gaze, this dissertation illuminates how each artist fashions their own relationship to Blackness and envisions soul value on their own terms.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798352900307Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

African AmericanIndex Terms--Genre/Form:

542853
Electronic books.

"Can't Kill the Soul:" The Value of Black Vernacular Photographs in the Domestic Archive and Beyond.
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504 $a Includes bibliographical references
520 $a 'Can't Kill The Soul': The Value of Black Vernacular Photographs in the Domestic Archive and Beyond examines 'domestic archives,' collections of photographs and other memorabilia, within the homes of Black families and the spaces such objects inhabit outside of the home. It investigates the multivalence of "value" by exploring how it comes to exist, function, and resultantly determine our perceptions of self through both history and our imagined futurity. Coined by historian Daina Ramey Berry, soul value is an affirmation of one's heritage and self-worth; it evades the commodification of Black people that traces back to the transatlantic slave trade. By analyzing the work of James VanDerZee, this dissertation explores the function of photographs inside the home as conduits of soul value. It queries how family photographs transition onto the market, and eventually into private collections and museums. Identifying anonymity as a crucial determinant of where photographs travel and what values they receive, this project assesses the interplay between imagination and identification in photographic viewing practices. 'Can't Kill The Soul' articulates where soul value arises in the work of Tyler Mitchell, Carrie Mae Weems, and Dawoud Bey. Drawing from Tina Campt's notion of a Black gaze, this dissertation illuminates how each artist fashions their own relationship to Blackness and envisions soul value on their own terms.
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538 $a Mode of access: World Wide Web
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