語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
Influential Women and Dress in Renaissance Italy : = Power and Identity in Portraiture.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Influential Women and Dress in Renaissance Italy :/
其他題名:
Power and Identity in Portraiture.
作者:
Stanciel, Ginger D.
面頁冊數:
1 online resource (319 pages)
附註:
Source: Masters Abstracts International, Volume: 83-12.
Contained By:
Masters Abstracts International83-12.
標題:
Fashion. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29067963click for full text (PQDT)
ISBN:
9798819396209
Influential Women and Dress in Renaissance Italy : = Power and Identity in Portraiture.
Stanciel, Ginger D.
Influential Women and Dress in Renaissance Italy :
Power and Identity in Portraiture. - 1 online resource (319 pages)
Source: Masters Abstracts International, Volume: 83-12.
Thesis (M.S.)--Iowa State University, 2022.
Includes bibliographical references
In this study I analyzed how portraits convey negotiations of the power and status of 16th century aristocratic Renaissance wives and mistresses in Italy. Dress and fashion as a means of communicating identity was heightened amongst the upper classes during the European Renaissance in response to the rise of the merchant class. Women of the aristocracy in particular had numerous motivations for subtle forms of identity expression ranging from declaring political affiliations to national allegiances (Muzzarelli, 2009; Rublack, 2011; Rublack, 2016). Declaring national allegiances was a frequent practice by aristocratic women that entered cross-cultural political marriages, forcing them to adopt the cultural norms of their husbands' home (Cox-Rearick, 2009). Utilizing content analysis and the historical method, I analyzed period portraiture of influential 16th century women that were Italian born or married. The portraiture study included twenty-one portraits of nine women. Portraiture selection was informed by online accessibility (as a result of the COVID-19 pandemic) and credibility, with portraits primarily identified on museum owned databases and government/publicly funded art databases. The twenty-one portraits of Caterina Sforza, Bianca Maria Sforza, Cecilia Gallerani, Giulia Farnese, Isabella d'Este, Lucrezia Borgia, Margherita Paleologo, Eleonora di Toledo, and Bianca Cappello, concentrated in 16th century Italy convey this period's exceptional reputation for portraiture and the display of status through dress and other forms of consumerism. Eight prominent themes emerged across the twenty-one portraits which reference the use of dress in relation to concepts of conveyed status, personal preferences, religious references and characteristics, and social and political allegiances with their birth families or their husbands' families.Each of these nine women embodied many of the period expectations of mothers, wives, mistresses, and rulers. However, all of them found ways to communicate their personal identities through dress, in their portraits, during their lifetimes.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798819396209Subjects--Topical Terms:
549143
Fashion.
Subjects--Index Terms:
DressIndex Terms--Genre/Form:
542853
Electronic books.
Influential Women and Dress in Renaissance Italy : = Power and Identity in Portraiture.
LDR
:03472nmm a2200421K 4500
001
2361670
005
20231027101250.5
006
m o d
007
cr mn ---uuuuu
008
241011s2022 xx obm 000 0 eng d
020
$a
9798819396209
035
$a
(MiAaPQ)AAI29067963
035
$a
AAI29067963
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Stanciel, Ginger D.
$3
3702355
245
1 0
$a
Influential Women and Dress in Renaissance Italy :
$b
Power and Identity in Portraiture.
264
0
$c
2022
300
$a
1 online resource (319 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Masters Abstracts International, Volume: 83-12.
500
$a
Advisor: Reddy-Best, Kelly L.
502
$a
Thesis (M.S.)--Iowa State University, 2022.
504
$a
Includes bibliographical references
520
$a
In this study I analyzed how portraits convey negotiations of the power and status of 16th century aristocratic Renaissance wives and mistresses in Italy. Dress and fashion as a means of communicating identity was heightened amongst the upper classes during the European Renaissance in response to the rise of the merchant class. Women of the aristocracy in particular had numerous motivations for subtle forms of identity expression ranging from declaring political affiliations to national allegiances (Muzzarelli, 2009; Rublack, 2011; Rublack, 2016). Declaring national allegiances was a frequent practice by aristocratic women that entered cross-cultural political marriages, forcing them to adopt the cultural norms of their husbands' home (Cox-Rearick, 2009). Utilizing content analysis and the historical method, I analyzed period portraiture of influential 16th century women that were Italian born or married. The portraiture study included twenty-one portraits of nine women. Portraiture selection was informed by online accessibility (as a result of the COVID-19 pandemic) and credibility, with portraits primarily identified on museum owned databases and government/publicly funded art databases. The twenty-one portraits of Caterina Sforza, Bianca Maria Sforza, Cecilia Gallerani, Giulia Farnese, Isabella d'Este, Lucrezia Borgia, Margherita Paleologo, Eleonora di Toledo, and Bianca Cappello, concentrated in 16th century Italy convey this period's exceptional reputation for portraiture and the display of status through dress and other forms of consumerism. Eight prominent themes emerged across the twenty-one portraits which reference the use of dress in relation to concepts of conveyed status, personal preferences, religious references and characteristics, and social and political allegiances with their birth families or their husbands' families.Each of these nine women embodied many of the period expectations of mothers, wives, mistresses, and rulers. However, all of them found ways to communicate their personal identities through dress, in their portraits, during their lifetimes.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2023
538
$a
Mode of access: World Wide Web
650
4
$a
Fashion.
$3
549143
650
4
$a
Art history.
$3
2122701
650
4
$a
European history.
$2
bicssc
$3
1972904
650
4
$a
Womens studies.
$3
2122688
653
$a
Dress
653
$a
Identity
653
$a
Italy
653
$a
Portraits
653
$a
Renaissance
653
$a
Women
655
7
$a
Electronic books.
$2
lcsh
$3
542853
690
$a
0200
690
$a
0377
690
$a
0335
690
$a
0453
710
2
$a
ProQuest Information and Learning Co.
$3
783688
710
2
$a
Iowa State University.
$b
Apparel, Events and Hospitality Management.
$3
3346182
773
0
$t
Masters Abstracts International
$g
83-12.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29067963
$z
click for full text (PQDT)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9484026
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入