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The Cultural Politics of Jazz Manouche and Romani Representation in France.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Cultural Politics of Jazz Manouche and Romani Representation in France./
作者:
Lie, Siv B.
面頁冊數:
1 online resource (478 pages)
附註:
Source: Dissertations Abstracts International, Volume: 79-03, Section: A.
Contained By:
Dissertations Abstracts International79-03A.
標題:
Cultural anthropology. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10260755click for full text (PQDT)
ISBN:
9780355128154
The Cultural Politics of Jazz Manouche and Romani Representation in France.
Lie, Siv B.
The Cultural Politics of Jazz Manouche and Romani Representation in France.
- 1 online resource (478 pages)
Source: Dissertations Abstracts International, Volume: 79-03, Section: A.
Thesis (Ph.D.)--New York University, 2017.
Includes bibliographical references
This dissertation examines how members of the French Manouche subgroup of Romanies ("Gypsies") represent themselves politically through the genre of "jazz manouche". Jazz manouche, grounded in the recorded work of guitarist Django Reinhardt, is a source of pleasure, pride, and income for many Manouches. As a means of asserting Manouche identity, jazz manouche constitutes a field of cultural politics in which notions of ethnicity, race, and citizenship are negotiated. The close association between Manouches and jazz manouche in the French popular imagination may also contribute to the further essentialization and exploitation of this already-maligned group. For Manouches, representation through music reveals anxieties and ambivalences about how ethnic identification impacts their social, economic, and political horizons. Musicians and their audiences use jazz manouche to articulate desires for social transformation while questioning whether music is an appropriate means to define ethnic belonging and to pursue collective goals. I argue that through such contradictory processes, musical performance both strengthens and stratifies the communities with which it is associated. Drawing on several years of ethnographic, archival, and performance-based research within the jazz manouche circuit and among Manouche communities in Paris and Alsace, this dissertation investigates how jazz manouche shapes contemporary minority-majority relations in France. In conversation with literature on ethnic identification, the commodification of ethnicity, and cultural activism, I explore the ways in which cultural producers succeed or fail in advocating for the rights of populations only tenuously united through expressive practices.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9780355128154Subjects--Topical Terms:
2122764
Cultural anthropology.
Subjects--Index Terms:
ActivismIndex Terms--Genre/Form:
542853
Electronic books.
The Cultural Politics of Jazz Manouche and Romani Representation in France.
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This dissertation examines how members of the French Manouche subgroup of Romanies ("Gypsies") represent themselves politically through the genre of "jazz manouche". Jazz manouche, grounded in the recorded work of guitarist Django Reinhardt, is a source of pleasure, pride, and income for many Manouches. As a means of asserting Manouche identity, jazz manouche constitutes a field of cultural politics in which notions of ethnicity, race, and citizenship are negotiated. The close association between Manouches and jazz manouche in the French popular imagination may also contribute to the further essentialization and exploitation of this already-maligned group. For Manouches, representation through music reveals anxieties and ambivalences about how ethnic identification impacts their social, economic, and political horizons. Musicians and their audiences use jazz manouche to articulate desires for social transformation while questioning whether music is an appropriate means to define ethnic belonging and to pursue collective goals. I argue that through such contradictory processes, musical performance both strengthens and stratifies the communities with which it is associated. Drawing on several years of ethnographic, archival, and performance-based research within the jazz manouche circuit and among Manouche communities in Paris and Alsace, this dissertation investigates how jazz manouche shapes contemporary minority-majority relations in France. In conversation with literature on ethnic identification, the commodification of ethnicity, and cultural activism, I explore the ways in which cultural producers succeed or fail in advocating for the rights of populations only tenuously united through expressive practices.
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