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Motherhood in the Multiverse : = Melodrama and Asian American Identity in Everything, Everywhere, All at Once.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Motherhood in the Multiverse :/
其他題名:
Melodrama and Asian American Identity in Everything, Everywhere, All at Once.
作者:
Sudhakaran, Aditya.
面頁冊數:
1 online resource (30 pages)
附註:
Source: Masters Abstracts International, Volume: 84-11.
Contained By:
Masters Abstracts International84-11.
標題:
Film studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30317349click for full text (PQDT)
ISBN:
9798379490645
Motherhood in the Multiverse : = Melodrama and Asian American Identity in Everything, Everywhere, All at Once.
Sudhakaran, Aditya.
Motherhood in the Multiverse :
Melodrama and Asian American Identity in Everything, Everywhere, All at Once. - 1 online resource (30 pages)
Source: Masters Abstracts International, Volume: 84-11.
Thesis (M.A.)--University of South Florida, 2023.
Includes bibliographical references
In what follows, I look to the visual and narrative composition of the multiverse between Everything, Everywhere, All at Once (The Daniels, 2022) and Doctor Strange: Multiverse of Madness (Sam Raimi, 2022) to develop a more precise understanding of the superhero blockbuster as a contemporary expression of sensation melodrama. To do so, I use two depictions of maternity to excavate two very different approaches to the multiverse: one that externalizes social conflict, which it answers with individuated and exculpatory violence, and another that internalizes social conflict, which it answers through collective care. I introduce the blockbuster's mobilization of the multiverse and the symptoms of its escapist logics through visual composition and action sequences that influence external / internal narrative crises. Everything, Everywhere reconfigures these tropes in order to articulate the pivotal role of maternal care in opening new possibilities, straying away from dominant representations of Asian American women as simple or subservient. It also reshapes an agentive image for the Asian American hero in the immigrant mother, previously reserved for male characters in cinema. The implicit involvement of the larger scale of the world redresses the xenophobic and racial violence against Asian Americans and immigrants in general. Looking to how the film exhibits Asian American identity and interdependency within its narrative suggests a path for progressive politics, I argue, that reshapes collectivity and care as central in departing from the racial stereotypes that dominant media generally maintain.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379490645Subjects--Topical Terms:
2122736
Film studies.
Subjects--Index Terms:
Asian American studiesIndex Terms--Genre/Form:
542853
Electronic books.
Motherhood in the Multiverse : = Melodrama and Asian American Identity in Everything, Everywhere, All at Once.
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In what follows, I look to the visual and narrative composition of the multiverse between Everything, Everywhere, All at Once (The Daniels, 2022) and Doctor Strange: Multiverse of Madness (Sam Raimi, 2022) to develop a more precise understanding of the superhero blockbuster as a contemporary expression of sensation melodrama. To do so, I use two depictions of maternity to excavate two very different approaches to the multiverse: one that externalizes social conflict, which it answers with individuated and exculpatory violence, and another that internalizes social conflict, which it answers through collective care. I introduce the blockbuster's mobilization of the multiverse and the symptoms of its escapist logics through visual composition and action sequences that influence external / internal narrative crises. Everything, Everywhere reconfigures these tropes in order to articulate the pivotal role of maternal care in opening new possibilities, straying away from dominant representations of Asian American women as simple or subservient. It also reshapes an agentive image for the Asian American hero in the immigrant mother, previously reserved for male characters in cinema. The implicit involvement of the larger scale of the world redresses the xenophobic and racial violence against Asian Americans and immigrants in general. Looking to how the film exhibits Asian American identity and interdependency within its narrative suggests a path for progressive politics, I argue, that reshapes collectivity and care as central in departing from the racial stereotypes that dominant media generally maintain.
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