語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
The Making of Visual Arts Policy and Artistic Advocacy in Late Francoist Spain.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Making of Visual Arts Policy and Artistic Advocacy in Late Francoist Spain./
作者:
Gray, Taylor.
面頁冊數:
1 online resource (348 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
Contained By:
Dissertations Abstracts International84-01A.
標題:
European history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29206798click for full text (PQDT)
ISBN:
9798834054948
The Making of Visual Arts Policy and Artistic Advocacy in Late Francoist Spain.
Gray, Taylor.
The Making of Visual Arts Policy and Artistic Advocacy in Late Francoist Spain.
- 1 online resource (348 pages)
Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
Thesis (Ph.D.)--University of California, San Diego, 2022.
Includes bibliographical references
This dissertation interrogates the relationship between state and civil society through the making of visual arts policy in Franco's Spain between the late 1950s and the late 1970s. Using a rich base of archival sources, it explores the relationships and interactions between members of the regime's arts apparatus and members of Spain's artistic community and demonstrates how these affected the shape of the country's domestic artistic life. The regime's top-down attempts to command cultural life and unwillingness to democratize its artistic endeavors did not override artists' bottom-up efforts to create the kind of artistic environment in which they wanted to live. By examining case studies of artists, art students, and gallerists in moments of conflict with members of the regime's arts apparatus, I trace the evolution of their collective disillusionment with the regime, while also offering detailed accounts of individual protagonists on all sides. My emphasis on the growth of what I call 'artistic advocacy' allows me demonstrate the numerous ways in which members of the artistic community pushed for artistic pluralism and autonomy. Furthermore, I recognize a heretofore unstudied group with respect to Spanish social movements - visual artists - and to add them to the body of scholarship on the politicization of actors who came to undermine the regime's vision and authority.In framing the history of Spanish domestic art policy not as a regime-only endeavor, but rather as the result of the regime's relationship with civil society, I challenge the dominant scholarly narratives that portray the regime's cultural policy either as one of 'repression', resulting in a "cultural desert", or one of 'liberalization', in which regime figures slackened control over artistic affairs. Rather, I demonstrate that neither interpretation accurately captures the dynamic in which the arts apparatus saw itself as facilitating and cultivating artistic life, albeit blind to its own lack of legitimacy. In analyzing the complex and fraught interactions between regime figures and members of Spain's visual arts community, and tracing Spaniards' awareness of the regime's contradictions, I reveal a new angle to understanding the increasingly fragmented political culture of late Francoism.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798834054948Subjects--Topical Terms:
1972904
European history.
Subjects--Index Terms:
Francoist SpainIndex Terms--Genre/Form:
542853
Electronic books.
The Making of Visual Arts Policy and Artistic Advocacy in Late Francoist Spain.
LDR
:03605nmm a2200361K 4500
001
2359033
005
20230906055253.5
006
m o d
007
cr mn ---uuuuu
008
241011s2022 xx obm 000 0 eng d
020
$a
9798834054948
035
$a
(MiAaPQ)AAI29206798
035
$a
AAI29206798
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Gray, Taylor.
$3
3050260
245
1 4
$a
The Making of Visual Arts Policy and Artistic Advocacy in Late Francoist Spain.
264
0
$c
2022
300
$a
1 online resource (348 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
500
$a
Advisor: Radcliff, Pamela.
502
$a
Thesis (Ph.D.)--University of California, San Diego, 2022.
504
$a
Includes bibliographical references
520
$a
This dissertation interrogates the relationship between state and civil society through the making of visual arts policy in Franco's Spain between the late 1950s and the late 1970s. Using a rich base of archival sources, it explores the relationships and interactions between members of the regime's arts apparatus and members of Spain's artistic community and demonstrates how these affected the shape of the country's domestic artistic life. The regime's top-down attempts to command cultural life and unwillingness to democratize its artistic endeavors did not override artists' bottom-up efforts to create the kind of artistic environment in which they wanted to live. By examining case studies of artists, art students, and gallerists in moments of conflict with members of the regime's arts apparatus, I trace the evolution of their collective disillusionment with the regime, while also offering detailed accounts of individual protagonists on all sides. My emphasis on the growth of what I call 'artistic advocacy' allows me demonstrate the numerous ways in which members of the artistic community pushed for artistic pluralism and autonomy. Furthermore, I recognize a heretofore unstudied group with respect to Spanish social movements - visual artists - and to add them to the body of scholarship on the politicization of actors who came to undermine the regime's vision and authority.In framing the history of Spanish domestic art policy not as a regime-only endeavor, but rather as the result of the regime's relationship with civil society, I challenge the dominant scholarly narratives that portray the regime's cultural policy either as one of 'repression', resulting in a "cultural desert", or one of 'liberalization', in which regime figures slackened control over artistic affairs. Rather, I demonstrate that neither interpretation accurately captures the dynamic in which the arts apparatus saw itself as facilitating and cultivating artistic life, albeit blind to its own lack of legitimacy. In analyzing the complex and fraught interactions between regime figures and members of Spain's visual arts community, and tracing Spaniards' awareness of the regime's contradictions, I reveal a new angle to understanding the increasingly fragmented political culture of late Francoism.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2023
538
$a
Mode of access: World Wide Web
650
4
$a
European history.
$2
bicssc
$3
1972904
650
4
$a
Art history.
$3
2122701
653
$a
Francoist Spain
653
$a
Visual arts policy
653
$a
Artistic advocacy
655
7
$a
Electronic books.
$2
lcsh
$3
542853
690
$a
0335
690
$a
0377
710
2
$a
ProQuest Information and Learning Co.
$3
783688
710
2
$a
University of California, San Diego.
$b
History.
$3
1020322
773
0
$t
Dissertations Abstracts International
$g
84-01A.
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29206798
$z
click for full text (PQDT)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9481389
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入