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'Space is the Place:' Afrofuturism in Black Popular Music.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	'Space is the Place:' Afrofuturism in Black Popular Music./
作者:	Jordon-Conlin, Tamyka.
面頁冊數:	1 online resource (118 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-04, Section: B.
Contained By:	Dissertations Abstracts International84-04B.
標題:	Men. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29402668click for full text (PQDT)
ISBN:	9798352650936

'Space is the Place:' Afrofuturism in Black Popular Music.
Jordon-Conlin, Tamyka.

'Space is the Place:' Afrofuturism in Black Popular Music. - 1 online resource (118 pages)

Source: Dissertations Abstracts International, Volume: 84-04, Section: B.

Thesis (Ph.D.)--Louisiana State University and Agricultural & Mechanical College, 2022.

Includes bibliographical references

The dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of black subjectivity. Using selections from popular artists Erykah Badu, OutKast, and Janelle Monae as case studies, I demonstrate how these artists use Afrofuturist speculative thought to inform their music, videos, and overall aesthetic, especially as it relates to style, form, and temporality.Scholarship of black popular music in general, specifically rap and hip-hop, is typically musicological or ethnomusicological in nature, focusing on extra-musical aspects like history, linguistics, and cultural impact. This project incorporates theoretical analysis so as to bring into sharper relief the complex intertextualities within black popular music. My methodology melds pre-existing interdisciplinary literature with traditional and non-traditional musical analysis to better analyze unique sonic phenomena employed by Afrofuturist musicians as well as contextualizing these phenomena in what I call "Afrofuturist space." These analyses demonstrate how future scholarship on Afrofuturist music can remain sensitive to its Afrofuturist context, while expanding theoretical frameworks to better deal with issues of teleology, cyclicity, and interconnected musical narrative in black popular music.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798352650936Subjects--Topical Terms:

528322
Men.
Index Terms--Genre/Form:

542853
Electronic books.

'Space is the Place:' Afrofuturism in Black Popular Music.
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