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Throwing the Da-Da ... Dice : = The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Throwing the Da-Da ... Dice :/
其他題名:	The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944).
作者:	Vardouli, Rodanthi.
面頁冊數:	1 online resource (244 pages)
附註:	Source: Dissertations Abstracts International, Volume: 83-12, Section: A.
Contained By:	Dissertations Abstracts International83-12A.
標題:	Aesthetics. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29210144click for full text (PQDT)
ISBN:	9798819372609

Throwing the Da-Da ... Dice : = The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944).
Vardouli, Rodanthi.

Throwing the Da-Da ... Dice :The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944). - 1 online resource (244 pages)

Source: Dissertations Abstracts International, Volume: 83-12, Section: A.

Thesis (Ph.D.)--Harvard University, 2022.

Includes bibliographical references

Half a century after the last explicit attempt to theorize the phenomenon of the "avant-garde" in art (Peter Burger, Theorie Der Avantgarde 1974), the production of the so-called "historical avantgardes" has been well documented historically but remains only partially theorized. Founded on an extensive survey of the history, theory, and criticism of the concept of an artistic avant-garde, its terminological trajectory (Chapter 1), the debates which have shaped its historiography (Chapter 2), the discourse around its emergence and exhaustion (Chapter 3), this research centers on a philosophical and theoretical negotiation of the complex notion of artistic combativeness from the perspective of affect studies and critical poetics. Historically focused on the expanded Interwar Years in Europe (1909-1944), the hypothesis is that beneath their stylistic diversity and sociopolitical incommensurability, the forms (objects, texts, events) produced by the self-proclaimed comrades of historical Futurism, Constructivism, Dada and Surrealism were symptomatic of an internally chiastic mindset of revolutionary impulse (agon) and emotional struggle (agony), which fueled their fiery declarations and guided their formal experimentations.Following Fredric Jameson's example in the Political Unconscious, the semiotic square introduced by A.J. Greimas for the analysis of complex terms, is here employed for the further subdivision of the initial affective pair (agon - agony) into four specific constituents of combative action (Chapter 4), namely activism, antagonism, nihilism, and agonism, in accordance with Renato Poggioli's seminal typology of avant-gardism (Teoria, 1962). The performative concept of 'Gestus' (gesture), originating from Bertolt Brecht's theorizations of modern dramaturgy, is mobilized to facilitate the examination of the objects of the avant-garde as material embodiments of the combative attitudes under investigation (Chapter 5). Reduced to ground form-making gestures, the Interwar movements are then inserted into the affective ontology and scrutinized for their level of attraction to the four attitudinal poles, in a way which further granulates Interwar avantgardism into an ideological counterpart (Chapter 6) and a dimension of drives (Chapter 7). Ultimately, the production of action-centric accounts for Interwar artworks is expected to grant an otherwise classicized production with renewed theoretical relevance, while the proposed "virtual map" of combativeness offers a pedagogical tool for instructing the European avantgarde across media and disciplines in a decentered and inventive manner.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798819372609Subjects--Topical Terms:

523036
Aesthetics.
Subjects--Index Terms:

AgonismIndex Terms--Genre/Form:

542853
Electronic books.

Throwing the Da-Da ... Dice : = The Agonistic Gestures of the Interwar Avant-Gardes (1909-1944).
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