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Using Theatrical Practices as a Modality Within an Intervention Plan for the Communication Impairment of Aphasia.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Using Theatrical Practices as a Modality Within an Intervention Plan for the Communication Impairment of Aphasia./
作者:
Nogeire, Gillian Riley.
面頁冊數:
1 online resource (178 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-02, Section: B.
Contained By:
Dissertations Abstracts International84-02B.
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29321677click for full text (PQDT)
ISBN:
9798845408969
Using Theatrical Practices as a Modality Within an Intervention Plan for the Communication Impairment of Aphasia.
Nogeire, Gillian Riley.
Using Theatrical Practices as a Modality Within an Intervention Plan for the Communication Impairment of Aphasia.
- 1 online resource (178 pages)
Source: Dissertations Abstracts International, Volume: 84-02, Section: B.
Thesis (Ph.D.)--University of Colorado at Boulder, 2022.
Includes bibliographical references
In the practice of theatre, actors communicate with the audience by both verbal and non verbal means. Commonly misunderstood as a comprehensive communication disorder, aphasia is a diagnosis given when the language center of the brain is damaged. Individuals with aphasia have trouble either understanding language, generating language, or both. Language, however, does not encompass the myriad of ways that humans are able to communicate. Actors explore these alternative communication strategies in multiple divergent forms of theatrical practices. This dissertation examines the ways that theatrical practices (primarily informed by the works of Augusto Boal) can be used to enhance the communicative abilities of individuals with aphasia through disrupting the perceived superiority of verbal communication over nonverbal communication. Outlined in this work are six unique interventions created for individuals with aphasia that use theatrical practices as a modality within treatment. These interventions are: (1) Theatre Aphasique in Montreal; (2) The Rehabilitation Institute of Chicago's Waiting on the Words; (3) The Adler Aphasia Center Drama Club in New Jersey; (4) Laura Wood's and David Mower's Co-Active Therapeutic Theatre Model; (5) CU Boulder's Speech Language and Hearing Clinic's The Wizard of Oz, and finally (6) their subsequent production of Charlie and the Chocolate Factory. Ultimately, this research confirms the efficacy of theatrical practices in assisting individuals with aphasia to increase their communication confidence and subsequently their quality of life. Additionally, this dissertation identifies significant areas of overlap betweenthe communication goals of speech-language pathology and the communication outcomes of theatrical practices. As such, this research suggests the need for further study from both speech-language pathologists and theatrical practitioners in utilizing this modality of intervention for individuals with aphasia.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798845408969Subjects--Topical Terms:
522973
Theater.
Subjects--Index Terms:
AphasiaIndex Terms--Genre/Form:
542853
Electronic books.
Using Theatrical Practices as a Modality Within an Intervention Plan for the Communication Impairment of Aphasia.
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Source: Dissertations Abstracts International, Volume: 84-02, Section: B.
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In the practice of theatre, actors communicate with the audience by both verbal and non verbal means. Commonly misunderstood as a comprehensive communication disorder, aphasia is a diagnosis given when the language center of the brain is damaged. Individuals with aphasia have trouble either understanding language, generating language, or both. Language, however, does not encompass the myriad of ways that humans are able to communicate. Actors explore these alternative communication strategies in multiple divergent forms of theatrical practices. This dissertation examines the ways that theatrical practices (primarily informed by the works of Augusto Boal) can be used to enhance the communicative abilities of individuals with aphasia through disrupting the perceived superiority of verbal communication over nonverbal communication. Outlined in this work are six unique interventions created for individuals with aphasia that use theatrical practices as a modality within treatment. These interventions are: (1) Theatre Aphasique in Montreal; (2) The Rehabilitation Institute of Chicago's Waiting on the Words; (3) The Adler Aphasia Center Drama Club in New Jersey; (4) Laura Wood's and David Mower's Co-Active Therapeutic Theatre Model; (5) CU Boulder's Speech Language and Hearing Clinic's The Wizard of Oz, and finally (6) their subsequent production of Charlie and the Chocolate Factory. Ultimately, this research confirms the efficacy of theatrical practices in assisting individuals with aphasia to increase their communication confidence and subsequently their quality of life. Additionally, this dissertation identifies significant areas of overlap betweenthe communication goals of speech-language pathology and the communication outcomes of theatrical practices. As such, this research suggests the need for further study from both speech-language pathologists and theatrical practitioners in utilizing this modality of intervention for individuals with aphasia.
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