東華大學圖書館 |

Unspoken Hers : = Affect Theory, Essay Film, and a Cinematic Experience of Women's Affect = Wei shui de ta : qing gan li lun, ying xiang san wen, han yi chang nü xing qing gan de dian ying ti yan

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Unspoken Hers :/
其他題名:	Affect Theory, Essay Film, and a Cinematic Experience of Women's Affect = Wei shui de ta : qing gan li lun, ying xiang san wen, han yi chang nü xing qing gan de dian ying ti yan
其他題名:	Wei shui de ta :
作者:	Chou, Emily Chien-Chi.
面頁冊數:	1 online resource (53 pages)
附註:	Source: Masters Abstracts International, Volume: 84-02.
Contained By:	Masters Abstracts International84-02.
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29209369click for full text (PQDT)
ISBN:	9798841769071

Unspoken Hers : = Affect Theory, Essay Film, and a Cinematic Experience of Women's Affect = Wei shui de ta : qing gan li lun, ying xiang san wen, han yi chang nü xing qing gan de dian ying ti yan
Chou, Emily Chien-Chi.

Unspoken Hers :Affect Theory, Essay Film, and a Cinematic Experience of Women's Affect = Wei shui de ta : qing gan li lun, ying xiang san wen, han yi chang nü xing qing gan de dian ying ti yanWei shui de ta :qing gan li lun, ying xiang san wen, han yi chang nü xing qing gan de dian ying ti yan - 1 online resource (53 pages)

Source: Masters Abstracts International, Volume: 84-02.

Thesis (M.A.)--Pratt Institute, 2022.

Includes bibliographical references

Affect theory has been raising its importance as an open space for academic development in making sense of personal to sociopolitical topics. This media practice project is an attempt to connect the affective turn in cultural studies to films that depict women's sense of being in society, their feelings of the everyday, and how they are shaped by political and economic ends. The project engages with these contemporary films in the context of Japan and Taiwan in particular: Our Little Sister, Shoplifters by Kore-eda Hirokazu, True Mother by Naomi Kawase, Little Big Women by Hsu Chen-Chieh. The thesis is divided into three sections, each with a different approach. The first section provides an overview of affect theory. The research starts from the historical development of affect theory to the debate over the distinction between affect and emotion, as well as how it has been adopted by media and cultural studies. The author concentrates on feminist and anti-racist scholars, as well as a few who specialize in East Asian cultural studies. The second section is an artist statement considering "essay film" as an embodied practice of affect theory. As this project took essay film as the form of practice, this section drew on filmmakers who made significant contributions to this genre as well as scholarly texts that informed a historical review of the essentials of essay films. This statement explained how the author incorporates the essay film's historical concepts and ideas and what the final film work intends for personal means and reflections.The last section is the media practice, Unspoken Hers: A Cinematic experience of Women's Affect. This essay film incorporates footage from the films mentioned and experiments with video editing. Exploring the narration of women's stories, this essay film inquires into their feelings of resentment, anxiety, shame, sympathy, and more to the spectators' reflections.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798841769071Subjects--Topical Terms:

2122736
Film studies.
Subjects--Index Terms:

Affect theoryIndex Terms--Genre/Form:

542853
Electronic books.

Unspoken Hers : = Affect Theory, Essay Film, and a Cinematic Experience of Women's Affect = Wei shui de ta : qing gan li lun, ying xiang san wen, han yi chang nü xing qing gan de dian ying ti yan
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500 $a Source: Masters Abstracts International, Volume: 84-02.
500 $a Advisor: Spigland, Ethan ; Brown, Jayna.
502 $a Thesis (M.A.)--Pratt Institute, 2022.
504 $a Includes bibliographical references
520 $a Affect theory has been raising its importance as an open space for academic development in making sense of personal to sociopolitical topics. This media practice project is an attempt to connect the affective turn in cultural studies to films that depict women's sense of being in society, their feelings of the everyday, and how they are shaped by political and economic ends. The project engages with these contemporary films in the context of Japan and Taiwan in particular: Our Little Sister, Shoplifters by Kore-eda Hirokazu, True Mother by Naomi Kawase, Little Big Women by Hsu Chen-Chieh. The thesis is divided into three sections, each with a different approach. The first section provides an overview of affect theory. The research starts from the historical development of affect theory to the debate over the distinction between affect and emotion, as well as how it has been adopted by media and cultural studies. The author concentrates on feminist and anti-racist scholars, as well as a few who specialize in East Asian cultural studies. The second section is an artist statement considering "essay film" as an embodied practice of affect theory. As this project took essay film as the form of practice, this section drew on filmmakers who made significant contributions to this genre as well as scholarly texts that informed a historical review of the essentials of essay films. This statement explained how the author incorporates the essay film's historical concepts and ideas and what the final film work intends for personal means and reflections.The last section is the media practice, Unspoken Hers: A Cinematic experience of Women's Affect. This essay film incorporates footage from the films mentioned and experiments with video editing. Exploring the narration of women's stories, this essay film inquires into their feelings of resentment, anxiety, shame, sympathy, and more to the spectators' reflections.
520 $a 情感理論在學術發展的矚目度日趨顯著，作爲一個尚未被開發完全的領域，正引領著個人乃至社會政治等議題的前行。本媒體實作專案旨在擘畫出文化研究中的情感理論如何理解女性所處在的日常生活、社會結構和政治經濟發展。本專案著重在以下日本及台灣當代電影的語境中進行探討：是枝裕和導演的《海街日記》、《小偷家族》，河瀨直美導演的《晨曦將至》，許承傑導演的《孤味》（電影版）。本專案以三個不同的角度進行切入。第一部分為情感理論的綜觀，從其歷史發展的脈絡收束到以女性主義和反種族主義的論點為主要研究。包含情感理論的起源、情感(affect)和情緒(emotion)的差異辯論、以及媒體和東亞文化研究對情感理論的應用。第二部分為本作者的作品自述，以「影像散文」作為情感理論實踐的體現。由於此專案最終以影像散文的形式呈現作者的觀點，第二部分的論文引用電影製作人以及對影像散文有較高影響力的學術文章作為此次作品的參考。本自述解釋作者如何運用相關影像的概念和想法，并且在最終作品中呈現出自我意圖和啓發性思考。第三部分為最終的影像成品，内容包含運用前述的電影素材進行重新編輯和實驗，探討女性故事敘述與情感流動的關係，作品發人深省。.
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538 $a Mode of access: World Wide Web
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650 4 $a Philosophy. $3 516511
650 4 $a Womens studies. $3 2122688
653 $a Affect theory
653 $a Cinema
653 $a Emotion
653 $a Essay film
653 $a Gender
653 $a Race
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690 $a 0453
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710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Pratt Institute. $b Media Studies. $3 3560108
773 0 $t Masters Abstracts International $g 84-02.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29209369 $z click for full text (PQDT)
880 1 0 $6 245-01/$1 $a Unspoken Hers : $b Affect Theory, Essay Film, and a Cinematic Experience of Women's Affect = 未說的她 : 情感理論、影像散文、和一場女性情感的電影體驗.
880 3 1 $6 246-02/$1 $a 未說的她 : $b 情感理論、影像散文、和一場女性情感的電影體驗