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Preserving Historic Interiors : = Fashioning History and Taste in New York City and Shanghai.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Preserving Historic Interiors :/
Reminder of title:	Fashioning History and Taste in New York City and Shanghai.
Author:	Liu, Chunyao.
Description:	1 online resource (211 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-03, Section: A.
Contained By:	Dissertations Abstracts International84-03A.
Subject:	Design. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29323062click for full text (PQDT)
ISBN:	9798351433219

Preserving Historic Interiors : = Fashioning History and Taste in New York City and Shanghai.
Liu, Chunyao.

Preserving Historic Interiors :Fashioning History and Taste in New York City and Shanghai. - 1 online resource (211 pages)

Source: Dissertations Abstracts International, Volume: 84-03, Section: A.

Thesis (Ph.D.)--University of Florida, 2022.

Includes bibliographical references

Artistic expression overlaps, from high fashion to high architecture. Specifically, throughout the 20th Century and up until present times, fashion companies have drawn on historic architecture in their branding, merchandising and brick-and-mortar locations. Based on theories of patina, taste, and authenticity in the fields of both historic preservation and consumer culture, this research examines two historic preservation projects initiated by fashion brands in global cities: one is the Ralph Lauren Flagship Store, or Gertrude Rhinelander Waldo House, in New York City; the other is Prada Rong Zhai in Shanghai. Both cases are historic mansions located in global cities, built in the late 19th century, originally owned by wealthy elites, and finally adapted and reused by global fashion companies. The two cases share these similarities, yet they are different in a number of critical ways, which allows for a fruitful comparison. The Ralph Lauren Flagship Store was completed in 1986, a time period when historical reproductions and novel retail experiences gained popularity together with the rise of a consumer society. It was rehabilitated as a staged retail space to convey an upscale home-like setting while selling merchandise. By contrast, the interiors of Prada Rong Zhai, completed in 2017, do not stage a domestic environment; instead, the empty historic interiors serve as a backdrop for art exhibitions and fashion shows, showcasing growing "cultural tastes for authenticity" in the 21st century. The two different approaches encapsulated in these preserved mansions reveal how changing concepts of patina, taste, and authenticity lie at the intersection of the preservation of historic interiors. Notably, this research sheds light on how fashion companies preserve, convey, and exploit history through the preservation of historic interiors, and it identifies a migration of concepts from fashion industry to historic preservation. Finally, it argues that with a thorough understanding of the interactions between fashion and historic preservation, interior designers can better understand the value of historic interiors, which is associated with cultural capital and status message they encode.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798351433219Subjects--Topical Terms:

518875
Design.
Subjects--Index Terms:

AuthenticityIndex Terms--Genre/Form:

542853
Electronic books.

Preserving Historic Interiors : = Fashioning History and Taste in New York City and Shanghai.
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520 $a Artistic expression overlaps, from high fashion to high architecture. Specifically, throughout the 20th Century and up until present times, fashion companies have drawn on historic architecture in their branding, merchandising and brick-and-mortar locations. Based on theories of patina, taste, and authenticity in the fields of both historic preservation and consumer culture, this research examines two historic preservation projects initiated by fashion brands in global cities: one is the Ralph Lauren Flagship Store, or Gertrude Rhinelander Waldo House, in New York City; the other is Prada Rong Zhai in Shanghai. Both cases are historic mansions located in global cities, built in the late 19th century, originally owned by wealthy elites, and finally adapted and reused by global fashion companies. The two cases share these similarities, yet they are different in a number of critical ways, which allows for a fruitful comparison. The Ralph Lauren Flagship Store was completed in 1986, a time period when historical reproductions and novel retail experiences gained popularity together with the rise of a consumer society. It was rehabilitated as a staged retail space to convey an upscale home-like setting while selling merchandise. By contrast, the interiors of Prada Rong Zhai, completed in 2017, do not stage a domestic environment; instead, the empty historic interiors serve as a backdrop for art exhibitions and fashion shows, showcasing growing "cultural tastes for authenticity" in the 21st century. The two different approaches encapsulated in these preserved mansions reveal how changing concepts of patina, taste, and authenticity lie at the intersection of the preservation of historic interiors. Notably, this research sheds light on how fashion companies preserve, convey, and exploit history through the preservation of historic interiors, and it identifies a migration of concepts from fashion industry to historic preservation. Finally, it argues that with a thorough understanding of the interactions between fashion and historic preservation, interior designers can better understand the value of historic interiors, which is associated with cultural capital and status message they encode.
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