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Migrations of Word and Image : = Leonora Carrington and La Dame Ovale, 1937-42.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Migrations of Word and Image :/
其他題名:
Leonora Carrington and La Dame Ovale, 1937-42.
作者:
Kraft, Tara.
面頁冊數:
1 online resource (76 pages)
附註:
Source: Masters Abstracts International, Volume: 84-01.
Contained By:
Masters Abstracts International84-01.
標題:
Art history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29060343click for full text (PQDT)
ISBN:
9798834012948
Migrations of Word and Image : = Leonora Carrington and La Dame Ovale, 1937-42.
Kraft, Tara.
Migrations of Word and Image :
Leonora Carrington and La Dame Ovale, 1937-42. - 1 online resource (76 pages)
Source: Masters Abstracts International, Volume: 84-01.
Thesis (M.A.)--University of Georgia, 2022.
Includes bibliographical references
This thesis examines the word-image relationship between Leonora Carrington's 1937-8 short story, "La Dame Ovale," and painting Green Tea (La Dame Ovale) (1942) that she created on either side of a war-driven, transatlantic migration from France to New York. I propose to broaden the framework through which we consider the correspondence between Carrington's verbal and visual compositions beyond biography and Surrealist ideology to incorporate her interests in Jungian psychology and the humanist theory of ut pictura poesis. In the following argument, I suggest that Carrington's use of themes related to foreignness and movement, and the interrelations of these in regard to identity, fracture previous assumptions about the story and painting as self-portraits. Indeed, when we consider Carrington's Dames Ovales in this framework, I argue they can be read as forming a collective portrait of her geopolitical moment.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798834012948Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
ArchetypeIndex Terms--Genre/Form:
542853
Electronic books.
Migrations of Word and Image : = Leonora Carrington and La Dame Ovale, 1937-42.
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Includes bibliographical references
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This thesis examines the word-image relationship between Leonora Carrington's 1937-8 short story, "La Dame Ovale," and painting Green Tea (La Dame Ovale) (1942) that she created on either side of a war-driven, transatlantic migration from France to New York. I propose to broaden the framework through which we consider the correspondence between Carrington's verbal and visual compositions beyond biography and Surrealist ideology to incorporate her interests in Jungian psychology and the humanist theory of ut pictura poesis. In the following argument, I suggest that Carrington's use of themes related to foreignness and movement, and the interrelations of these in regard to identity, fracture previous assumptions about the story and painting as self-portraits. Indeed, when we consider Carrington's Dames Ovales in this framework, I argue they can be read as forming a collective portrait of her geopolitical moment.
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