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The Synthetic Museum.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Synthetic Museum./
作者:
Hilchey, Jack.
面頁冊數:
1 online resource (70 pages)
附註:
Source: Masters Abstracts International, Volume: 83-03.
Contained By:
Masters Abstracts International83-03.
標題:
Art galleries & museums. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28735256click for full text (PQDT)
ISBN:
9798535519074
The Synthetic Museum.
Hilchey, Jack.
The Synthetic Museum.
- 1 online resource (70 pages)
Source: Masters Abstracts International, Volume: 83-03.
Thesis (M.Arch.)--Rice University, 2020.
Includes bibliographical references
Architects navigate a vast sea of information using rules of thumb.When designers in the field, collaborating with engineers and consultants, have bypassed these rules in favor of working directly with raw data (whether to do with use, structure, lighting, etc.), it has typically been for the sake of saving cost, time, or material, or otherwise improving functionality.As a consequence, the scope of design in these cases is narrowed and the process reoriented into a convergent, solution-driven exercise.This thesis argues that information itself (increasingly digitized) has always been architecture's most essential material, but asserts that fully embracing it as such need not lead to positivism.Accordingly, this thesis presents an alternative, divergent methodology demonstrating data as medium in architecture.The methodology starts with rules of thumb, given their primacy as data compression technologies. A single rule of thumb is re-worked through close examination and testing into an index, yielding a bandwidth of design options.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798535519074Subjects--Topical Terms:
3561426
Art galleries & museums.
Subjects--Index Terms:
ArchitectureIndex Terms--Genre/Form:
542853
Electronic books.
The Synthetic Museum.
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Architects navigate a vast sea of information using rules of thumb.When designers in the field, collaborating with engineers and consultants, have bypassed these rules in favor of working directly with raw data (whether to do with use, structure, lighting, etc.), it has typically been for the sake of saving cost, time, or material, or otherwise improving functionality.As a consequence, the scope of design in these cases is narrowed and the process reoriented into a convergent, solution-driven exercise.This thesis argues that information itself (increasingly digitized) has always been architecture's most essential material, but asserts that fully embracing it as such need not lead to positivism.Accordingly, this thesis presents an alternative, divergent methodology demonstrating data as medium in architecture.The methodology starts with rules of thumb, given their primacy as data compression technologies. A single rule of thumb is re-worked through close examination and testing into an index, yielding a bandwidth of design options.
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